The Very Best of Judy Collins
Download links and information about The Very Best of Judy Collins by Judy Collins. This album was released in 2001 and it belongs to Rock, Folk Rock, Songwriter/Lyricist, Psychedelic, Contemporary Folk genres. It contains 16 tracks with total duration of 01:05:18 minutes.
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| Artist: | Judy Collins |
| Release date: | 2001 |
| Genre: | Rock, Folk Rock, Songwriter/Lyricist, Psychedelic, Contemporary Folk |
| Tracks: | 16 |
| Duration: | 01:05:18 |
| Buy it NOW at: | |
| Buy on iTunes $9.99 | |
| Buy on Songswave €1.83 | |
| Buy on Songswave €1.83 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Turn, Turn, Turn! (To Everything There Is a Season) | 3:38 |
| 2. | So Early, Early In the Spring | 3:10 |
| 3. | Suzanne | 4:26 |
| 4. | Just Like Tom Thumb's Blues | 5:08 |
| 5. | Both Sides Now | 3:14 |
| 6. | Since You Asked | 2:35 |
| 7. | Albatross | 4:53 |
| 8. | My Father | 5:02 |
| 9. | Someday Soon | 3:46 |
| 10. | Who Knows Where the Time Goes? | 4:46 |
| 11. | Chelsea Morning (Single Version) | 3:21 |
| 12. | Farewell to Tarwathie | 5:35 |
| 13. | Song for Judith (Open the Door) | 4:07 |
| 14. | Cook With Honey | 3:31 |
| 15. | Send In the Clowns | 4:00 |
| 16. | Amazing Grace | 4:06 |
Details
[Edit]While a strong argument can be made that distilling Judy Collins’ career down to 16 songs is a bit limiting, considering the wide breadth of her career and catalog, this Very Best collection features great material from beginning to end. Her version of “Turn, Turn, Turn! (To Everything There Is A Season)” is from her earliest folk days, before there was even folk-rock. Her impeccable ear for emerging songwriters is made plain by the inclusion of Leonard Cohen’s “Suzanne,” Ian Tyson’s “Someday Soon” and Joni Mitchell’s “Chelsea Morning” and “Both Sides Now.” The productions became more elaborate as the era progressed. Her massive hit, Stephen Sondheim’s “Send In the Clowns,” rests next to the spiritual “Amazing Grace.” Even her gentle rendition of Bob Dylan’s “Just Like Tom Thumb’s Blues” works in its own peculiar way, as Collins’ beautifully controlled vocals meet Dylan’s surrealistic word puzzle. Her own composition, “My Father,” is the cherry on top, a piece of personal revelation among so many deeply convincing interpretations.