Just Imagine...
Download links and information about Just Imagine... by Karen Akers. This album was released in 1994 and it belongs to Theatre/Soundtrack genres. It contains 14 tracks with total duration of 01:01:07 minutes.
Artist: | Karen Akers |
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Release date: | 1994 |
Genre: | Theatre/Soundtrack |
Tracks: | 14 |
Duration: | 01:01:07 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Night, Make My Day | 3:01 |
2. | A Nightingale Sang In Berkeley Square | 5:19 |
3. | Remind Me | 4:10 |
4. | Just Imagine - You're Nearer | 4:31 |
5. | Ain't Misbehavin' | 4:48 |
6. | I'd Rather Be Blue | 5:31 |
7. | More Than You Know | 5:14 |
8. | Flight | 4:51 |
9. | "Angels, Punks And Raging Queens" | 3:36 |
10. | Twentieth Century Blues | 3:53 |
11. | I See The World Through Your Eyes | 3:13 |
12. | My Ship | 3:37 |
13. | I Am Your Child - She's Leaving Home | 5:18 |
14. | Two For The Road | 4:05 |
Details
[Edit]Karen Akers relates the song choices on her fourth album, Just Imagine..., to her marriage to Kevin Power, which occurred only three months before the recording sessions. Thus, the material is, if anything, even more tilted toward the romantic than usual. But that is not to say that the emotional range and subject matter are limited. Rather, different aspects of a loving relationship are examined, for example in "Ain't Misbehavin'" and "I'd Rather Be Blue," both of which discuss aspects of life apart from the object of one's affection, an experience from which Akers frequently suffers, as she is quick to point out in her liner notes. Her medley of Barry Manilow's "I Am Your Child" and the Beatles' "She's Leaving Home," meanwhile, explores the difficulties of the love between parents and children. And Bill Russell and Janet Hood's "Angels, Punks and Raging Queens" is an affectionate look back at the pre-AIDS days of gay cabaret life in Greenwich Village in the '70s. Michael Abene, Akers' usual pianist/arranger, is spelled on six tracks by Mike Renzi, but the accompaniments are her usual tasteful, unobtrusive ones, with Andy Drelles adding his individual reed parts, John Loehrke a restrained bass, and Jim Saporito discreet percussion. The focus remains on Akers' voice and precise, considered phrasing, making for another excellent album from this top nightclub entertainer.