Redesign: Realize Remixed
Download links and information about Redesign: Realize Remixed by Karsh Kale. This album was released in 2002 and it belongs to New Age, Electronica, Dancefloor, World Music, Dance Pop genres. It contains 12 tracks with total duration of 01:13:52 minutes.
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| Artist: | Karsh Kale |
| Release date: | 2002 |
| Genre: | New Age, Electronica, Dancefloor, World Music, Dance Pop |
| Tracks: | 12 |
| Duration: | 01:13:52 |
| Buy it NOW at: | |
| Buy on iTunes $9.99 | |
| Buy on Amazon $9.49 | |
| Buy on iTunes $9.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Saajana (Ming and FS Mix) | 6:35 |
| 2. | Destroy the Icon (Bone Cruise Mix) | 5:58 |
| 3. | One Step Beyond (DJ Spooky Datalife 2002 Mix) | 6:15 |
| 4. | Deepest Blue (KK's Deepest Brooklyn Mix) | 4:56 |
| 5. | Home (MIDIval PunditZ Higher Salvation Mix) | 5:36 |
| 6. | Distance (Banco De Gaia Remix) | 8:04 |
| 7. | Empty Hands (Bill Laswell Mix) | 7:20 |
| 8. | Light Up the Love (Mighty Junn Summer of XAI Mix) | 5:08 |
| 9. | Home (Navdeeps Pressure Mix) | 6:45 |
| 10. | Empty Hands (DK Pyar Amor Mix) | 4:08 |
| 11. | Anja (Mother Earth Mix) [Mother Earth Mix] | 5:59 |
| 12. | Home (Mukul Acid Lullaby) | 7:08 |
Details
[Edit]For fans of the international Asian Massive scene, there's nothing better than a new Karsh Kale album. Unless maybe it's an old Karsh Kale album presented in drastically remixed form by an all-star cast of dance-music heroes like Bill Laswell, DJ Spooky, Banco de Gaia, and Kale's Brooklyn homeboy, Mighty Junn. These 11 mixes all stick fairly close to the drum'n'bass mainstream, but there's plenty of variety within that general category: "Destroy the Icon," the only track here that did not appear in its original form on Realize, is given an energetic but relatively restrained mix that rides on a rolling groove built from haunting vocal snippets, chugging breakbeats, and what sounds like a mridingam; DJ Spooky's mix of "One Step Beyond" combines a subtle house pulse with deeply funky drum loops and tweaked-out keyboards; Laswell brings his typically lush production values and dubwise inflections to "Empty Hands." All of it is tons of fun, and a very worthy companion to the original album.