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Third Time's A Charm

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Download links and information about Third Time's A Charm by Ken Yokoyama. This album was released in 2007 and it belongs to Rock genres. It contains 15 tracks with total duration of 37:44 minutes.

Artist: Ken Yokoyama
Release date: 2007
Genre: Rock
Tracks: 15
Duration: 37:44
Buy on iTunes $9.99
Buy on iTunes $11.99

Tracks

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No. Title Length
1. Why 2:42
2. Not Fooling Anyone 4:11
3. Go With The Flow 2:27
4. Dry Spell 2:05
5. That Girl 2:05
6. Happy Days 2:41
7. Ricky Punks II (The Lamepire Strikes Back) 1:15
8. Movin' On 2:03
9. Father's Arms 3:08
10. Daydream Believer 2:45
11. Do It Again 2:09
12. F**k Up, F**k Up 1:57
13. Cheap Shot 2:49
14. Somewhere Over The Rainbow 2:44
15. I Love 2:43

Details

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Frontman of Hi-Standard, the flagship of J-punk, Ken Yokoyama showed that he wishes for no change of fate after his band folded in 2000. His third solo effort is an album to make Green Day blush at their poppiness, thrill NOFX fans, and maybe even make Joey Ramone smile down from above. Third Time's a Charm is not hardcore, but it's as far from the heavy synth pop that Yokoyama's compatriots from Beat Crusaders pass for punk music — the record sticks to straightforward, no frills punk rock that's raw without being hyperkinetic, and entertaining without giving a damn for pop melody, at least not in the typical commercial sense. Actually, Third Time's a Charm did chart in Japan, probably due to Yokoyama's ability to fall on an instantly memorable hook now and then, as happens in "Not Foolin'" or "Daydream Believer." But neither the hit songs not other ornamentation, such as ska and rockabilly moments, campy ballads, and America-satirizing dialogue interludes feel integral to the core of the album, which is, as was already stated, plain punk. By 2008, there's not much need to elaborate, especially since even the exotic element is omitted from Third Time's a Charm, which, despite being recorded in Japan, is entirely sung in the hoarse, convincing English drawl of a man who makes his living describing the ironies of life. True punk doesn't demand originality, and there is none of that on this album, but its rawness and complete lack of pretense make it a welcome addition to the Japanese rock scene that is too often short on both.