Blame It On the Night
Download links and information about Blame It On the Night by Kevin Coyne. This album was released in 1974 and it belongs to Rock, Songwriter/Lyricist genres. It contains 27 tracks with total duration of 02:01:27 minutes.
Artist: | Kevin Coyne |
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Release date: | 1974 |
Genre: | Rock, Songwriter/Lyricist |
Tracks: | 27 |
Duration: | 02:01:27 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | River of Sin | 3:26 |
2. | Sign of the Times | 5:28 |
3. | I Believe In Love | 2:45 |
4. | Don't Delude Me | 3:21 |
5. | Wanting You | 5:04 |
6. | Take a Train | 3:33 |
7. | Blame It On the Night | 4:25 |
8. | Poor Swine | 3:45 |
9. | Light Up Your Little Light | 4:33 |
10. | Choose | 3:10 |
11. | Witch | 6:08 |
12. | Right On Her Side | 4:03 |
13. | Queenie Queenie Caroline | 4:19 |
14. | River of Sin (BBC In Concert, Golders Green Hippodrome 1974) | 4:22 |
15. | Poor Swine (BBC In Concert, Golders Green Hippodrome 1974) | 3:50 |
16. | Fat Girl (BBC In Concert, Golders Green Hippodrome 1974) | 5:25 |
17. | Mrs Hooley Go Home (BBC Radio One John Peel Show Session) | 4:44 |
18. | The Stride (BBC Radio One John Peel Show Session) | 3:05 |
19. | It's Not So Bad (BBC Radio One John Peel Show Session) | 3:31 |
20. | Bewitched (BBC Radio One Bob Harris Show Session) | 2:46 |
21. | Daddy / Marjory Razorblade Suite (BBC Radio One Bob Harris Show Session) | 10:59 |
22. | Another Man Goes Down (BBC Radio One Bob Harris Show Session) | 8:24 |
23. | Right In Hand (BBC Radio One Bob Harris Show Session) | 3:47 |
24. | The Miner's Song (BBC Radio One John Peel Show Session) | 4:00 |
25. | Evil Island Home (BBC Radio One John Peel Show Session) | 4:54 |
26. | Dance of the Bourgeoisie | 3:26 |
27. | Looking for the River (BBC Radio One John Peel Show Session) | 4:14 |
Details
[Edit]At times it sounds like Coyne, or other forces, are attempting to make his music more commercial here, with the full, generic mid-'70s arrangements and occasional horns. That's a proposition as fruitless as selling snow to the Eskimos. Coyne is never going to be a mainstream artist; it seems more sensible to let him rip and be eccentric, playing in acoustic, stripped-down, bluesy contexts. Fortunately, that's what he does on about half the album, sounding his borderline lunatic self on "Don't Delude Me," and opting for an eerie, cryptic mood on "Blame It on the Night," and "Witch," with its flamenco guitars and undercurrent of suspicious paranoia. How not to gain commercial airplay, lesson 14: write lyrics such as "I cannot stand her friends anymore, I will wipe them across the floor" (from "Witch").