Gathering Leaves (Platinum Edition)
Download links and information about Gathering Leaves (Platinum Edition) by Kevin Keller. This album was released in 2005 and it belongs to New Age genres. It contains 20 tracks with total duration of 01:56:34 minutes.
Artist: | Kevin Keller |
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Release date: | 2005 |
Genre: | New Age |
Tracks: | 20 |
Duration: | 01:56:34 |
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Tracks
[Edit]No. | Title | Length |
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1. | Unfolding (featuring Kevin Keller Ensemble) | 5:29 |
2. | Hawi Moon | 4:37 |
3. | Anticipation (featuring Kevin Keller Ensemble) | 3:59 |
4. | The Lost Father | 4:08 |
5. | Searching (featuring Kevin Keller Ensemble) | 4:57 |
6. | Beckoning (featuring Kevin Keller Ensemble) | 5:42 |
7. | Cordoba (feat. Meena Cho) | 6:23 |
8. | Reverence (featuring Kevin Keller Ensemble) | 4:55 |
9. | Peace (featuring Kevin Keller Ensemble) | 5:32 |
10. | Gathering Leaves | 1:55 |
11. | Pale Unkempt Hours | 6:58 |
12. | The Blossoms of Change (featuring Kevin Keller Trio) | 5:38 |
13. | First Snow | 4:15 |
14. | Arc of the Pendulum (feat. David Darling) | 13:07 |
15. | Unharvested (feat. Eric Stein) | 9:27 |
16. | Lyra | 5:33 |
17. | Acquainted with the Night | 4:06 |
18. | A Star in a Stoneboat (featuring Kevin Keller Trio) | 7:09 |
19. | Goethe Park (feat. Rachel Amov) | 3:35 |
20. | Distanced (feat. Jeff Pearce) | 9:09 |
Details
[Edit]Pianist/composer Kevin Keller characterizes the music on this ten-year retrospective collection as "classical space music," citing such influences as Claude Debussy and Umberto Eco. Fair enough, but a more obvious precursor is Harold Budd, whose impressionistic piano compositions helped to define the "ambient" idiom when he paired up with Brian Eno in the late '70s. Keller is actually at his most interesting when using synthesizers to create otherworldly washes of sound, as he does on the long but wonderful "Arc of the Pendulum," or to approximate the sounds of wind and insects on the dark but lovely "Goethe Park." When he's playing acoustic piano he has something of a tendency to slide into dewy new age goopiness (there's just not much "there" there on the title track, for example), although cellist David Darling brings out some of Keller's inner strength on the nicely contrapuntal "Blossoms of Change." Ultimately, this music is rather difficult to get a handle on, because it's hard to keep the mind focused on it for any appreciable length of time. That's not a criticism — this stuff seems to be intended to induce meditative thoughts about deep subjects rather than a focus on the music itself. Recommended.