Kill Bill, Vol. 2 (Original Soundtrack)
Download links and information about Kill Bill, Vol. 2 (Original Soundtrack). This album was released in 2004 and it belongs to Theatre/Soundtrack genres. It contains 15 tracks with total duration of 46:10 minutes.
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| Release date: | 2004 |
| Genre: | Theatre/Soundtrack |
| Tracks: | 15 |
| Duration: | 46:10 |
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| Buy on iTunes $12.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | A Few Words from the Bride (Uma Thurman) | 0:42 |
| 2. | Goodnight Moon (Shivaree) | 4:03 |
| 3. | Il Tramonto (Ennio Morricone) | 1:14 |
| 4. | Can't Hardly Stand It (Charlie Feathers) | 2:48 |
| 5. | Tu Mira (Lole Y Manuel) | 3:59 |
| 6. | Summertime Killer (Ricatto Alla Malla) (Luis Bacalov) | 3:39 |
| 7. | The Chase (Alan Reeves, Philip Brigham, Phil Steele) | 1:03 |
| 8. | The Legend of Pai Mei (Uma Thurman, David Carradine) | 2:06 |
| 9. | L'Arena (From "Il Mercenario") (Ennio Morricone) | 4:44 |
| 10. | Satisfied Mind (Johnny Cash) | 2:49 |
| 11. | A Silhouette of Doom (Ennio Morricone) | 2:54 |
| 12. | About Her (Malcolm McLaren) | 4:49 |
| 13. | Truly and Utterly Bill (Uma Thurman, David Carradine) | 0:47 |
| 14. | Malaguena Salerosa (Chingon) | 4:06 |
| 15. | Urami Bushi (Includes Hidden Track "Black Mamba") (Meiko Kaji) | 6:27 |
Details
[Edit]Where Kill Bill, Vol. 1 opened with Nancy Sinatra singing haunting lyrics that paralleled the story's murderous betrayal, Kill Bill, Vol. 2 starts with protagonist Black Mamba (Uma Thurman) laying out her motive. In this second volume, Quentin Tarantino (with help from Wu Tang’s RZA) digs into the more obscure annals of his record collection, starting with Shivaree singing the loungy “Goodnight Moon” in a smoky, sultry voice. Sticking with a spaghetti western atmosphere, Tarantino follows this with Ennio Morricone’s “Il Tramonto” before grabbing another honky-tonkin’ Charlie Feathers tune (“Can’t Hardly Stand It”) to score the sinister swagger of David Carradine’s character Bill. Johnny Cash’s “Satisfied Mind” is similarly used to illuminate Bill’s moral flaws with a deeper perspective. One of the most unpredictable selections here is also the most unsettling—Malcolm McLaren’s “About Her” is a trip-hop reworking of The Zombies’ “She’s Not There.” It’s a mash-up that plays as if His Name Is Alive and Portishead broke into The Zombies’ recording studio and pulled a heist before leaving their marks.