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Get On Board! Underground Railroad & Civil Rights Freedom Songs, Vol. 2

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Download links and information about Get On Board! Underground Railroad & Civil Rights Freedom Songs, Vol. 2 by Kim. This album was released in 2007 and it belongs to Songwriter/Lyricist, Contemporary Folk genres. It contains 14 tracks with total duration of 53:09 minutes.

Artist: Kim
Release date: 2007
Genre: Songwriter/Lyricist, Contemporary Folk
Tracks: 14
Duration: 53:09
Buy on iTunes $9.99
Buy on Amazon $9.49

Tracks

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No. Title Length
1. Done Wit' Driver's Dribbin' 3:23
2. Get On Board 3:11
3. Oh Mary, Don't You Weep (featuring Bernice Johnson Reagon) 3:49
4. Keep Your Lamps Trimmed and Burning (featuring Danny Glover) 3:33
5. Run Mary Run 4:38
6. Children Go Where I Send Thee (featuring The Magpie) 3:37
7. Old Tar River (featuring Matt, Marshall Jones) 2:20
8. Ballad of the Underground Railroad 3:15
9. Trampin'/I Got Shoes 4:08
10. Rise Up Shepherd and Follow/Go Tell It On the Mountain (featuring Guy Davis) 3:40
11. One Little Step Towards Freedom 2:34
12. Down By the Riverside 4:18
13. Row de Boat 4:47
14. Freedom Is a Constant Struggle 5:56

Details

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You might think that in this time of equal rights, songs like these aren't needed. But although this music, which commemorates the struggle for civil rights and the underground railroad that helped slaves escape to freedom, might not be timely, a lot of it is important to the history of America, as the second volume in this series shows. Kim & Reggie Harris, along with a number of guests, tackle music that's both familiar ("Oh Mary, Don't You Weep," "Down by the Riverside") and unusual ("Done wit' Driver's Dribbin'," "Old Tar River"). For the most part the arrangements are straightforward, but "Ballad of the Underground Railroad" offers some lovely banjo playing, while "Row de Boat" brings in a couple of young rappers to offer a contemporary touch that's really just an extension of history. Unsurprisingly, the overall sound is gospel, but stripped down and performed with real passion and often jubilation, since this is, after all, the music of freedom. You could consider this an important document of times and places, but it's more than that — it's also a real celebration of African-American culture.