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La vie électronique, Vol. 13 / La vie electronique, Vol. 13

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Download links and information about La vie électronique, Vol. 13 / La vie electronique, Vol. 13 by Klaus Schulze. This album was released in 1993 and it belongs to Ambient, New Age, Electronica, Rock, Dancefloor, World Music, Dance Pop genres. It contains 33 tracks with total duration of 03:49:57 minutes.

Artist: Klaus Schulze
Release date: 1993
Genre: Ambient, New Age, Electronica, Rock, Dancefloor, World Music, Dance Pop
Tracks: 33
Duration: 03:49:57
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Tracks

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No. Title Length
1. The Machinery of Night 5:38
2. Träume Ich? 2:49
3. Leaves of Grass 3:47
4. Peyote Poem 2:51
5. No Funky Blues 7:05
6. Verblüffung des Volkes 8:35
7. Le Carillon 8:26
8. Hellenistische Mechanik 8:33
9. Das Ende der Nashörner 8:32
10. Don't be afraid, The Clown's afraid, too 8:33
11. Die ehrwürdige Flüssigkeit 6:31
12. The Answer? 7:02
13. Tag des offenen Denkmals 0:32
14. Himmel und Erde (Remix) 7:10
15. Vas Insigne Electionis 9:51
16. A Perfect Day 5:42
17. Double Whoopee 4:21
18. Rouge Song 2:06
19. Beau Hunks 2:06
20. Oliver Norwell H. 6:45
21. Sons of the Desert 16:51
22. Big Business 4:11
23. Call of the Cuckoo 4:12
24. God bless all Clowns 10:37
25. Schöne Seelen,kühne Flügel 5:41
26. Die staunenden Barbaren 13:36
27. An des Jahrhunderts Neige, Pt. 1 9:43
28. Castafiore 1:03
29. Hätt ich Schwingen,hätt ich Flügel 7:47
30. Die Gunst des Augenblicks 11:08
31. An des Jahrhunderts Neige, Pt. 2 3:46
32. Der Liebe Geheimnis 20:28
33. An des Jahrhunderts Neige, Pt. 3 3:59

Details

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One of the pioneering voices of electronic music, Klaus Schulze rose out of the Krautrock scene in the mid-'70s with solo albums that wove airy synth textures into a tense dance between menace and beauty. Best known in some circles for his early cosmically wandering trip-outs, Schulze recorded prolifically for decades to follow. La Vie Electronique, Vol. 13 was originally released in 1993 as a three-disc set of mostly uninterrupted drones, meditations, and explorations of synths, sequencers, and cloudy ambient tones. Later versions of this massive set would split its 70-plus-minute synth adventures into more digestible separate movements, with themes of self-discovery and challenge running through instrumental pieces like "Leaves of Grass" and "Peyote Poem." A possibly overwhelming set of music to take in at once, but like the best of Schulze's work, it allows the listener the space and time to get lost in its druggy, terrified, and often contemplative segments.