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Back from the Brink - Pre-Revolution Psychedelic Rock from Iran (1973-1979)

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Download links and information about Back from the Brink - Pre-Revolution Psychedelic Rock from Iran (1973-1979) by Kourosh. This album was released in 2011 and it belongs to Rock, World Music genres. It contains 30 tracks with total duration of 02:07:51 minutes.

Artist: Kourosh
Release date: 2011
Genre: Rock, World Music
Tracks: 30
Duration: 02:07:51
Buy on iTunes $9.99

Tracks

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No. Title Length
1. Gole Yakh 5:06
2. Dar Enteha 4:09
3. Hajme Khali 2:42
4. Paiz 4:20
5. Leila 4:27
6. Del Dareh Pir Misheh 2:53
7. Akhm Nakon 3:25
8. Shirin Nakon 3:31
9. Ghazal 5:18
10. Tavalode Yek Seda 4:22
11. Saghe 3:24
12. Entezar 4:22
13. Niyayesh 4:34
14. Saraabe Toe 4:34
15. Reyhan 3:48
16. Baroona 4:27
17. Mosafere Shar Baran 6:48
18. Khaar 6:48
19. Havar Havar 3:45
20. Ashiooneh 4:35
21. Bachehaye Khoobe Koocheh 3:39
22. Akhtare Asemanha 4:01
23. Tak Derakht 5:05
24. Share Cheshmat 4:19
25. Dokhtare Delkhasteye Shahr 4:49
26. Daas 5:07
27. Ghahr 2:51
28. Aabere Shab 3:56
29. Ghad Boland 3:12
30. Kei Toe Miayee 3:34

Details

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Many listeners were turned on to Iranian rock musician Kourosh Yaghmaei via two excellent compilations: Forge Your Own Chains, which collected ‘60s and ’70s psych-flavored tracks from around the world, and Pomegranates, which gathered Iranian pop, rock, and funk from the same period. For fans of the two mysterious Yaghmaei gems on those albums—“Hajme Khali” and “Gole Yakh,” respectively—Back from the Brink is a must-have. (Those two tracks are also included here.) The audio quality varies, but Yaghmaei’s artistry always comes through. “Paiz” is melancholy chamber pop with fine-toned guitar, cello, and quietly dramatic piano. “Leila,” which features lovely guitar playing that evokes a sitar, has an almost doo-wop vibe. Sporting a wah-wah guitar and effective horns, “Bachehaye Khoobe Koocheh” could serve as a spy thriller theme, while “Aabere Shab” has an appealing arrangement incorporating funk elements and a grand organ part. The album closes with the chugging “Kei Toe Miayee,” a track that rides a Bo Diddley rhythm.