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A Centennial Tribute to George and Ira Gershwin

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Download links and information about A Centennial Tribute to George and Ira Gershwin by Krisanthi Pappas. This album was released in 1997 and it belongs to Jazz, Pop, Songwriter/Lyricist genres. It contains 14 tracks with total duration of 54:09 minutes.

Artist: Krisanthi Pappas
Release date: 1997
Genre: Jazz, Pop, Songwriter/Lyricist
Tracks: 14
Duration: 54:09
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Tracks

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No. Title Length
1. I Got Rhythm 3:15
2. Embraceable You 4:18
3. A Foggy Day 3:41
4. If I Had Only Known 3:30
5. Our Love Is Here to Stay 4:10
6. They All Laughed 3:24
7. Nice Work If You Can Get It 4:20
8. They Can't Take That Away from Me 4:01
9. Oh What a Day! 2:52
10. I've Got a Crush On You 4:33
11. Fascinating Rhythm 3:05
12. Someone to Watch Over Me 4:09
13. Let's Call the Whole Thing Off 3:34
14. Summertime 5:17

Details

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Krisanthi Pappas' second album honoring the works of George and Ira Gershwin has established her as a credible interpreter of two giants of the great American songbook. Possessing a clear soprano voice with excellent diction and paying close attention to the meaning of the words she is singing, Pappas delivers Gershwin in a jazzier manner than other albums honoring Gershwin in his centennial year. Susannah McCorkle's Gershwin effort Someone to Watch over Me is done in her inimitable purring and sensuous style while Pappas just bounces along. Even the ballads have a lilt to them. Pappas also provides a bonus by singing the verses to many of the songs either as an introduction to the chorus or in between the first and second choruses. A nice touch. There are two non-Gershwin melodies on this album, both by Pappas. The first, "If I Had Only Known," is a lament to her late discovery of the joys of Gershwin's music. The second, "Oh! What a Day," is a lively celebration of that discovery. Pappas cleverly segues back and forth between her happy words and Gershwin's "Strike Up the Band" and "S'Wonderful" to display her considerable scatting skills. Much of the success for this CD has to be shared with the supporting cast of players. Bill Duffy's piano is prominent on several of the cuts — listen to his minimalist, well-spaced approach on "They Can't Take that Away from Me." On the same song, John Payne's Lester Young-like tenor is heard to great effect — as is his flute on "Oh! What a Day" and his clarinet on "Let's Call the Whole Thing Off." The respected educator and performer Herb Pomeroy's muted trumpet graces "Embraceable You." Preusser's drums and Smith's bass lay a solid but unobtrusive foundation throughout. The Pappas interpretation of "Summertime" may raise the eyebrows of Gershwin purists with her vocal gyrations delivered over Smith's backbeat and Payne's raucous sax. Arguably, this bluesy, down-and-dirty reading is in harmony with the sometimes violent and always passionate storyline of Porgy and Bess.