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Zwielicht (The Remixes)

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Download links and information about Zwielicht (The Remixes) by L'ÂME IMMORTELLE / L'AME IMMORTELLE. This album was released in 2003 and it belongs to Electronica, Rock, Hard Rock, Metal, Heavy Metal genres. It contains 13 tracks with total duration of 01:02:54 minutes.

Artist: L'ÂME IMMORTELLE / L'AME IMMORTELLE
Release date: 2003
Genre: Electronica, Rock, Hard Rock, Metal, Heavy Metal
Tracks: 13
Duration: 01:02:54
Buy on iTunes $5.99

Tracks

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No. Title Length
1. Erinnerung (Stringsection) 3:49
2. Judgement (Faith and the Muse) 3:58
3. Epitaph (Sacrificed) 3:49
4. Rearranging [Matze_Mix] 5:10
5. Slut (Light and Shadow) 4:23
6. Licht Und Schatten (Spacediva) 4:48
7. Voiceless (Noiseless!?) 5:34
8. Was Hält Mich Noch Hier (Oldschool) 5:01
9. Forgive Me (In Strict Confidence) 4:54
10. Leaving (Beat. Bastard) 4:55
11. Dead Actor's Requiem (Act Two) 4:42
12. The Truth Behind (Dumped) 7:14
13. Tiefster Winter 4:37

Details

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Zwielicht: The Remixes is a remarkably thorough document of the current state of affairs for l'Ame Immortelle, an Austrian industrial/darkcore band with a solid European fan base and four previous studio albums to its credit. The two-disc set includes remixes of songs from the band's fourth album, Dann Habe Ich Umsonst Gelebt, as well as a video documentary of live performances and behind-the-scenes footage from the band's headlining tour of Germany in 2000. The remix program opens strangely gently, with predominantly orchestral arrangements of "Erinnerung" and "Judgement" (the latter remixed by Faith & the Muse), but things get serious with "Epitaph," and by the time you get to the Light and Shadow remix of "Slut" ("You are a slut, you're all alone!") you'll either be just hitting your stride or ready to head for the hills, depending on your leather-and-yelling threshold. "Voiceless" is about as abrasive as industrial music gets, but then things calm down a bit for the instrumental "Dead Actor's Requiem." Singing "Tiefster Winter" in English was a mistake — this stuff really sounds much better in German — but there's lots of fun to be had here for fans of louder-harsher-heavier industrial music.