Presents Don Cello and Friends
Download links and information about Presents Don Cello and Friends by Larry Gold. This album was released in 2003 and it belongs to Hip Hop/R&B, Soul genres. It contains 12 tracks with total duration of 47:55 minutes.
Artist: | Larry Gold |
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Release date: | 2003 |
Genre: | Hip Hop/R&B, Soul |
Tracks: | 12 |
Duration: | 47:55 |
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Buy on iTunes $9.99 |
Tracks
[Edit]No. | Title | Length |
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1. | Ain't No Stopping Us Now (featuring Black Thought, McFadden, Whitehead, Don Cello) | 4:24 |
2. | Loving You (featuring Carol Riddick, Don Cello) | 3:32 |
3. | Dance (featuring Gerald Levert, Don Cello) | 4:19 |
4. | And I Hope (featuring Floetry, Don Cello) | 5:03 |
5. | Traveling (featuring Don Cello) | 3:16 |
6. | Feel so Good (featuring Nanda, Don Cello) | 3:38 |
7. | All That You Are (featuring Kindred, Don Cello) | 4:40 |
8. | Nothing (featuring Jaguar Wright, Don Cello) | 3:41 |
9. | Just a Dream (featuring Eric Roberson, Don Cello) | 4:16 |
10. | Everybody (featuring Don Cello) | 3:14 |
11. | Can I (featuring Bunny Sigler, Don Cello) | 5:03 |
12. | Outro (featuring Don Cello) | 2:49 |
Details
[Edit]The concept behind Larry Gold Presents Don Cello and Friends isn't all that different from The Philadelphia Experiment or Quincy Jones albums like Back on the Block and Q's Jook Joint. Bringing together an impressive cast of soul legends and newer figures, Larry Gold — the string arranger and cellist behind several Philly soul classics — steps out from the background to produce this album with the help of several others. It's heavy on new versions of old songs, including a look at "Ain't No Stoppin' Us Now" (titled "No Stoppin'") that includes McFadden & Whitehead and a turn from the Roots' Black Thought. Though the younger contributors give the album a good supply of powerful energy, it's Bunny Sigler's turn on the modern-day quiet storm "Can I" that truly wows. It's a fine tribute to the still-active Gold, one of the many behind-the-scenes figures of '70s soul and disco that was as crucial to the songs — if not more so — than the vocalists in front of them.