After the Devastation
Download links and information about After the Devastation by Leaether Strip. This album was released in 2006 and it belongs to Electronica, Dancefloor, Dance Pop genres. It contains 24 tracks with total duration of 02:17:59 minutes.
Artist: | Leaether Strip |
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Release date: | 2006 |
Genre: | Electronica, Dancefloor, Dance Pop |
Tracks: | 24 |
Duration: | 02:17:59 |
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Tracks
[Edit]No. | Title | Length |
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1. | The Shame of a Nation (Edit) | 5:05 |
2. | Back In Control | 5:52 |
3. | Death Is Walking Next to Me (Edit) | 5:50 |
4. | A Boy | 4:48 |
5. | Dying Is Easy Life Is Harder (Daddy Please Love Me) | 5:15 |
6. | Sleep Is Only Heartbreak | 5:54 |
7. | Slam | 4:07 |
8. | Smerte | 5:00 |
9. | Happy Pills (Gimme Gimme) | 4:40 |
10. | Rip Like Cat Claws | 5:19 |
11. | What If... | 5:09 |
12. | Inner Exploration | 11:18 |
13. | Gaza Strip (March of the Innocent) | 6:15 |
14. | Suicide Bombers (Edit) | 3:47 |
15. | Carry Me (2006) | 7:04 |
16. | Empty Space | 4:46 |
17. | Junkie Do - Junkie Die | 4:41 |
18. | Homophobia | 5:34 |
19. | This Is Where I Wanna Be (Edit) | 5:08 |
20. | One Man's Gain, Another Man's Pain | 4:22 |
21. | Give Us Some Shelter (Katrina) | 4:58 |
22. | One for One for One | 5:31 |
23. | I Was Born That Day | 3:53 |
24. | Leæther Strip, Pt. 3 (Symphony for Kurt) | 13:43 |
Details
[Edit]Perhaps the only thing more surprising than the fact that Claus Larsen has returned to his mid-'90s electronic/industrial/darkwave alias Leaether Strip for the first time in nearly a decade is the fact that After the Devastation is a two-disc set largely inspired by the destruction of New Orleans by Hurricane Katrina in September 2005. (There is also a special limited-edition three-disc set with a bonus remix EP, as well as a hyper-limited collector's edition with the whole kit and caboodle in a special messenger bag plus extra goodies.) Of course, other than some pointed samples of newscasts and first-person monologues (relating not only to Katrina but to other high-profile atrocities and social injustices of the new millennium's first decade), the political commentary is largely subsumed by Larsen's usual dark synths and crisp electronic beats. Even the small handful of songs with lyrics beyond a simple repetition of the chorus rarely venture further than to grasp slogans. As with previous albums by the Leaether Strip, the real point of After the Devastation is in Larsen's cool, stylish, club-centered rhythms, and as long as the listener isn't expecting instant-reportage lyrics in the manner of Bob Dylan circa 1963, those rhythms are reason enough to be drawn to these 24 pieces.