European Episode - Impressive Rome
Download links and information about European Episode - Impressive Rome by Lee Konitz, Martial Solal. This album was released in 1968 and it belongs to Jazz genres. It contains 10 tracks with total duration of 01:20:31 minutes.
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| Artist: | Lee Konitz, Martial Solal |
| Release date: | 1968 |
| Genre: | Jazz |
| Tracks: | 10 |
| Duration: | 01:20:31 |
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Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Collage On Standards (featuring Parker, Dizzy Gillespie, Daniel Humair, Henri Texier) | 16:34 |
| 2. | Duet for Saxophone and Drums and Piano (featuring Daniel Humair, Gianni Marchetti, Henri Texier) | 6:07 |
| 3. | Anthropology (Verison 1) (featuring Daniel Humair, Gianni Marchetti, Henri Texier) | 7:43 |
| 4. | Lover Man (Version 2) (featuring Daniel Humair, Gianni Marchetti, Henri Texier) | 6:29 |
| 5. | Roman Blues (Verison 1) (featuring Parker, Dizzy Gillespie, Daniel Humair, Henri Texier) | 8:28 |
| 6. | Antropology (featuring Ramirez, Miles Davis, Daniel Humair, Henri Texier) | 7:03 |
| 7. | Impressive Rome (featuring Washington / Young) | 5:30 |
| 8. | Lover Man (Verison 1) (featuring Ramirez, Miles Davis, Daniel Humair, Henri Texier) | 6:19 |
| 9. | Stella By Starlight (featuring Daniel Humair, Gianni Marchetti, Henri Texier) | 7:03 |
| 10. | Roman Blues (Version 2) (featuring Daniel Humair, Gianni Marchetti, Henri Texier) | 9:15 |
Details
[Edit]Lee Konitz's initial recording session with pianist Martial Solal produced two albums (the other one is European Episode), including alternate versions of several songs. With bassist Henri Texier and drummer Daniel Humair rounding out the lineup, the quartet tackles a rapid-fire take of "Anthropology" and a somewhat spacy interpretation of "Lover Man." Two pieces are credited to an Italian composer. "Impressive Rome" is a bit meandering with a haunting air, while the more straight-ahead "Roman Blues" features the alto saxophonist's best solo work of the date. The one duet is "Stella by Starlight," in which Solal plays some wild lines to back Konitz, making it far more memorable than typical arrangements of this standard. This was a great beginning to an occasional partnership that lasted into the early '80s and produced several more albums.