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Manhattan Nights: The Complete Golden Years Studio Sessions (Bonus Track Version)

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Download links and information about Manhattan Nights: The Complete Golden Years Studio Sessions (Bonus Track Version) by Lee Wiley. This album was released in 1999 and it belongs to Jazz, Vocal Jazz, Pop genres. It contains 92 tracks with total duration of 04:43:15 minutes.

Artist: Lee Wiley
Release date: 1999
Genre: Jazz, Vocal Jazz, Pop
Tracks: 92
Duration: 04:43:15
Buy on iTunes $27.99
Buy on Amazon $29.99

Tracks

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No. Title Length
1. Take It from Me (I'm Taking to You) 3:50
2. Time On My Hands 3:19
3. Got the South in My Soul 3:15
4. You're an Old Smoothie 2:59
5. Leave These Reminders for You 2:19
6. A Tree Was a Tree 2:09
7. You've Got Me Crying Again 3:08
8. I Gotta Right to Sing the Blues 2:48
9. Let's Call It a Day 3:09
10. A Hundred Years from Today 3:09
11. Easy Come, Eeasy Go 3:09
12. Repeal the Blues 3:08
13. Careless Love 3:15
14. Motherless Child 3:18
15. Hands Across the Table 3:01
16. I'll Follow My Secret Heart 3:00
17. What Is Love? 3:58
18. I've Got You Under My Skin 4:18
19. Sweet and Low Down 2:54
20. Sam and Dalilah 3:31
21. My One and Only 3:28
22. 'S Wonderful 3:15
23. I've Got a Crush On You 3:19
24. Someone to Watch Over Me 3:01
25. How Long Has This Been Going On 3:27
26. But Not for Me 3:14
27. Baby's Awake Now 3:13
28. A Little Birdie Tols Me So 2:59
29. I've Got Five Dollars 2:51
30. You Took Advantage of Me 2:52
31. A Ship Without a Sail 3:28
32. As Though You Were There 2:31
33. Glad to Be Unhappy 3:12
34. Here in My Arms 3:24
35. Let's Fly Away 3:04
36. Let's Do It, Let's Fall in Love 3:23
37. Hot-House, Rose 2:52
38. Find Me a Primitive Man 3:25
39. Easy to Love 3:12
40. You Do Something to Me 3:06
41. Looking At You 3:25
42. Why Shouldn't It? 3:12
43. Down to Steamboat Tennesse 4:32
44. Sugar 4:35
45. Down With Love 2:46
46. Stormy Weather 2:52
47. Between the Devil and the Deep Blue Sea 2:40
48. I've Got the World On a String 2:53
49. Fun to Be Fooled 3:23
50. You Said It 2:59
51. Let's Fall in Love 3:17
52. Moanin' In the Morning 2:52
53. Wherever There's Love 3:03
54. The Man I Love 3:07
55. Someone to Watch Over Me (No. 2) 3:13
56. It's Only a Paper Moon 3:12
57. Body and Soul 3:13
58. Still Suit Me 3:06
59. Sugar (No. 2) 2:54
60. A Woman Alone With the Blues 3:11
61. But Not for Me (No. 2) 2:38
62. Memories of You 2:41
63. You're So Indiff'rent (Bonus Track) 2:24
64. All I Remember Is You (Bonus Track) 2:14
65. I Can't Give You Anything But Love (Bonus Track) 3:17
66. You Leave Me Breathless (Bonus Track) 2:56
67. Stormy Weather (Bonus Track) 2:51
68. Manhattan (Bonus Track) 2:47
69. Manhattan 3:28
70. I've Got a Crush On You (feat. Bobby Hackett) 3:28
71. A Ghost of a Chance 3:19
72. Oh Look At Me Now 3:11
73. How Deep Is the Ocean 2:54
74. Time On My Hands (No. 2) 2:50
75. Street of Dreams 3:16
76. A Woman's Intuition 3:33
77. Sugar (No. 3) 3:10
78. Any Time, Any Day, Anywhere 2:28
79. Soft Lights and Sweet Music 2:36
80. More Than You Know 3:14
81. Tea for Two 3:14
82. Sometimes I'm Happy 2:35
83. Rise 'N Shine 2:18
84. Should Be Sweet? 2:12
85. Keeping' Myself for You 3:04
86. Why Oh Why? 3:15
87. Some Sunny Day 2:33
88. I Got Lost in His Arms 3:01
89. Heat Wave 2:23
90. Fools Fall in Love 2:58
91. How Many Times 2:28
92. Supper Time 2:41

Details

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Lee Wiley's 20-year romance with the American songbook is one of the great love affairs of popular song, equalled during her time only by Ella Fitzgerald. But while Fitzgerald was blessed with the close attention of Norman Granz and a host of great arrangers, Wiley created the concept of the vocal classicist virtually out of thin air, concentrating on six of the best pop composers of the century during her prime of 1931 to 1951. The Dutch label Definitive certainly earned the right to the name with its release of the four-disc box Manhattan Nights: The Complete Golden Years Studio Sessions, chronologically compiling all of Wiley's studio recordings during the first 20 years of her career (her other original commercial releases would barely have filled a fifth disc). From her debut with Leo Reisman singing "Take It From Me (I'm Taking It From You)," she stood alone — a mature, knowing, beguiling vocalist during an era when cute and boyish was the norm. The songbook recordings are grouped together — usually eight selections each, from Gershwin, Rodgers-Hart, Cole Porter, Harold Arlen, Vincent Youmans, Irving Berlin — as is 1951's Night in Manhattan, the latter as masterful an evocation of its intended time and place as any other vocal-jazz collection ever recorded. Sweetening the pot, the compilers added five unreleased tracks, including three private, piano-backed recordings from Wiley's breakout year of 1939.