Lemonade Mouth
Download links and information about Lemonade Mouth. This album was released in 2011 and it belongs to Theatre/Soundtrack genres. It contains 10 tracks with total duration of 30:31 minutes.
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| Release date: | 2011 |
| Genre: | Theatre/Soundtrack |
| Tracks: | 10 |
| Duration: | 30:31 |
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| Buy on Amazon $2.04 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Turn Up the Music (Adam Hicks, Bridgit Mendler, Naomi Scott, Hayley Kiyoko, Blake Michael) | 2:56 |
| 2. | Somebody (Bridgit Mendler) | 3:28 |
| 3. | And the Crowd Goes (Chris Brochu) | 2:47 |
| 4. | Determinate (Adam Hicks, Bridgit Mendler, Naomi Scott, Hayley Kiyoko) | 3:18 |
| 5. | Here We Go (Adam Hicks, Bridgit Mendler, Hayley Kiyoko) | 2:52 |
| 6. | She's So Gone (Naomi Scott) | 3:06 |
| 7. | More Than a Band (Adam Hicks, Bridgit Mendler, Naomi Scott, Hayley Kiyoko, Blake Michael) | 2:40 |
| 8. | Don't Ya Wish U Were Us? (Chris Brochu) | 3:19 |
| 9. | Breakthrough (Adam Hicks, Bridgit Mendler, Naomi Scott, Hayley Kiyoko) | 3:27 |
| 10. | Livin' On a High Wire (Adam Hicks, Bridgit Mendler, Naomi Scott) | 2:38 |
Details
[Edit]Based on author Mark Peter Hughes’ 2007 book by the same title and built on a template provided by John Hughes’ 1985 teen cult film The Breakfast Club, The Disney Channel’s Lemonade Mouth is the story of five mischievous-yet-bored teenagers in Rhode Island who bond during high-school detention before assembling a successful band under the Lemonade Mouth moniker. The accompanying soundtrack opens with Bridgit Mendler singing the endearing insta-hit “Turn Up the Music,” which sounds like a young(er) Avril Lavigne by way of the Zit Remedy — a fictitious band from the Canadian CBC Television teen drama series of the late ‘80s, Degrassi Junior High. She proves her prowess as a balladeer on the following “Somebody” before Chris Brochu takes the mic on “And the Crowd Goes,” a rock ‘n’ rap hybrid that harkens back to the mid-‘90s when Anthrax and Public Enemy were bringing the noise. Naomi Scott croons more demurely than Mendler on the uplifting “She’s So Gone,” a near perfect piece of radio-groomed guitar-pop. The zealous “Livin’ On a High Wire” ends like a Glee outtake.