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Leonard Bernstein - The Harvard Lectures

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Download links and information about Leonard Bernstein - The Harvard Lectures by Leonard Bernstein. This album was released in 2018 and it belongs to Classical genres. It contains 312 tracks with total duration of 12:39:42 minutes.

Artist: Leonard Bernstein
Release date: 2018
Genre: Classical
Tracks: 312
Duration: 12:39:42
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Tracks

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No. Title Length
1. Vol. V - The Twentieth Century Crisis: Of Course, There Are Lots 1:56
2. Vol. VI - The Poetry of Earth: Now I propose Only Because 2:22
3. Vol. III - Musical Semantics: At This Point 1:36
4. Vol. III - Musical Semantics: In Fact, When You Think of the Number 2:16
5. Vol. III - Musical Semantics: But in the Ensuing Four Bars 2:10
6. Vol. II - Musical Syntax: Well, Transformation, Deletion, Embedding, Pronominalization 1:48
7. Vol. I - Musical Phonology: This Acoustical Phenomenon 2:08
8. Vol. II - Musical Syntax: But Now Just Think of that Sentence 1:01
9. Stravinsky: Oedipus Rex: It's As Tough in the Period 2:52
10. Vol. III - Musical Semantics: What Do You Suppose 2:51
11. Vol. II - Musical Syntax: So All these Syntactic Transformations of the Same Material 1:14
12. Vol. VI - The Poetry of Earth: One Has Only Learnt to Get 2:45
13. Vol. II - Musical Syntax: Amen, says Noam Chomsky 2:09
14. Vol. VI - The Poetry of Earth: But This Eclecticism Knows No Bounds 1:45
15. Vol. III - Musical Semantics: Think of this Famous Passage 2:22
16. Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo (featuring New York Philharmonic) 11:07
17. Vol. VI - The Poetry of Earth: My Words Are Poor 1:57
18. Stravinsky: Oedipus Rex: Act I: "Respondit Deus" (featuring Tom Krause, Boston Symphony Orchestra) 6:38
19. Vol. V - The Twentieth Century Crisis: We Emerge From a Cinema 1:55
20. Vol. VI - The Poetry of Earth: Then Came the Answer 2:40
21. Vol. VI - The Poetry of Earth: What About This 1:27
22. Vol. II - Musical Syntax: Most People Hearing Mozart's Opening 1:45
23. Vol. VI - The Poetry of Earth: But What Has All This to Do With Stravinsky 2:21
24. Vol. V - The Twentieth Century Crisis: Berg: Violin Concerto (Excerpt) (featuring Bavarian Radio Symphony Orchestra, Henryk Szeryng, Rafael Kubelik) 2:23
25. Vol. I - Musical Phonology: All These Upper Notes 1:52
26. Vol. VI - The Poetry of Earth: How About That 2:55
27. Vol. III - Musical Semantics: But to Develop How 2:37
28. Vol. II - Musical Syntax: Why Am I Taking Your Time 2:11
29. Vol. VI - The Poetry of Earth: Now That Page of Music 2:58
30. Vol. VI - The Poetry of Earth: Now What's Going On 2:20
31. Vol. V - The Twentieth Century Crisis: Of Course, There Are Those Who Say 1:39
32. Vol. III - Musical Semantics: A Linguist Would Say 1:52
33. Vol. VI - The Poetry of Earth: It's the Essence 2:34
34. Vol. IV - The Delights and Dangers of Ambiguity: Now the Remarkable Thing Is 2:54
35. Vol. I - Musical Phonology: Now this is a Substantive Universal 2:01
36. Stravinsky: Oedipus Rex: What Interests Me About It 2:15
37. Vol. I - Musical Phonology: Other Linguists 2:46
38. Vol. IV - The Delights and Dangers of Ambiguity: They Began to Intermingle 1:29
39. Vol. IV - The Delights and Dangers of Ambiguity: The Irony of All This 2:07
40. Vol. III - Musical Semantics: Well, That's the Beginning 1:58
41. Vol. II - Musical Syntax: Now Let's See 2:32
42. Vol. V - The Twentieth Century Crisis: Berg: Violin Concerto: II. Allegro, ma sempre rubato - (featuring Bavarian Radio Symphony Orchestra, Henryk Szeryng, Rafael Kubelik) 2:53
43. Vol. II - Musical Syntax: And Once Again, We Are Back 1:10
44. Vol. II - Musical Syntax: Since this is not a Linguistics Class 1:49
45. Vol. IV - The Delights and Dangers of Ambiguity: So That Instant in Musical Time 1:33
46. Stravinsky: Oedipus Rex: Act II: "Ecce! Regem Oedipoda" (featuring Boston Symphony Orchestra, Harvard Glee Club) 2:46
47. Vol. V - The Twentieth Century Crisis: First of All, Berg Chose a Tone Row 1:54
48. Symphony No. 40 in G Minor, K. 550: IV. Finale. Allegro assai (featuring New York Philharmonic) 6:09
49. Vol. III - Musical Semantics: Terrific, Said My Blonde Inquisitor 1:44
50. Vol. VI - The Poetry of Earth: Untermeyer Called This 1:41
51. Vol. VI - The Poetry of Earth: Stravinsky's Own Aesthetic Pronouncements 2:03
52. Vol. II - Musical Syntax: He Talks About this Sonnet 1:54
53. Vol. IV - The Delights and Dangers of Ambiguity: Now If You Noticed 1:40
54. Symphony No. 9 in D Major: IV. Adagio. Sehr langsam und noch zurückhaltend (featuring New York Philharmonic) 23:00
55. Vol. II - Musical Syntax: By Far the Chief Transformational Principle 1:42
56. Vol. V - The Twentieth Century Crisis: This is Mahler 2:41
57. Vol. VI - The Poetry of Earth: So, It Would Seem 2:17
58. Vol. VI - The Poetry of Earth: And This Is the Essence 2:13
59. Vol. VI - The Poetry of Earth: I Am Plaguing You With this Question 1:45
60. Vol. IV - The Delights and Dangers of Ambiguity: Listen As I Play 1:50
61. Vol. III - Musical Semantics: In Fact, it Has Been Authoritatively Suggested 2:46
62. Vol. II - Musical Syntax: Now Imagine 1:29
63. Stravinsky: Oedipus Rex: Is it Possible 1:51
64. Vol. III - Musical Semantics: Are We Feeling What Beethoven Supposedly Felt 1:44
65. Vol. VI - The Poetry of Earth: I Think This Is Again a Moment 2:06
66. Vol. I - Musical Phonology: From this Time 2:29
67. Vol. IV - The Delights and Dangers of Ambiguity: When I First Wrote Down the Title 1:41
68. Vol. IV - The Delights and Dangers of Ambiguity: You See, The Music Is Trying Hard 1:44
69. Vol. II - Musical Syntax: Let's Take one Such Utterance 2:00
70. Stravinsky: Oedipus Rex: Va-le-di-co 2:06
71. Vol. I - Musical Phonology: Let Me Start 0:52
72. Vol. V - The Twentieth Century Crisis: But While Restudying this Work 2:20
73. Vol. III - Musical Semantics: But What of the More Obvious Melodic Material 1:47
74. Vol. IV - The Delights and Dangers of Ambiguity: Part of the Danger 2:02
75. Vol. IV - The Delights and Dangers of Ambiguity: Enough of Ambiguity 1:51
76. Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Scene am Bach. Andante molto moto (featuring New York Philharmonic) 13:41
77. Vol. IV - The Delights and Dangers of Ambiguity: Only Think Of 1:57
78. Vol. II - Musical Syntax: The Reason I Pick Symmetry 2:12
79. Vol. I - Musical Phonology: But More of that Later 1:56
80. Vol. VI - The Poetry of Earth: Of Course, Polytonality Can and Does 2:09
81. Vol. I - Musical Phonology: And there is Always that Blue Note 1:36
82. Vol. VI - The Poetry of Earth: Of Course What he is Really Talking About 2:05
83. Vol. IV - The Delights and Dangers of Ambiguity: Similarly, in Our Second Lecture 2:05
84. Vol. II - Musical Syntax: I Became so Fascinated 1:43
85. Symphony No. 40 in G Minor, K. 550: II. Andante (featuring New York Philharmonic) 8:30
86. Vol. VI - The Poetry of Earth: These Are Two Sets 1:59
87. Vol. III - Musical Semantics: This Interference of the Two Frequencies 2:04
88. Vol. IV - The Delights and Dangers of Ambiguity: Where Music Was Concerned 1:28
89. Roméo and Juliet, A Dramatic Symphony, Op. 17: 1. Roméo Seul: Tristesse - Bruits de Concerts et de Bal - Grand Fête chez Capulet: Andante malinconico e sostenuto (featuring New York Philharmonic) 4:29
90. Vol. IV - The Delights and Dangers of Ambiguity: Some Crazy Modern Music 1:03
91. Vol. IV - The Delights and Dangers of Ambiguity: Let Me Try to Read You 1:55
92. Vol. IV - The Delights and Dangers of Ambiguity: Now Romeo Is All Stirred Up 3:00
93. Vol. VI - The Poetry of Earth: Just Cast an Eye 2:44
94. Vol. I - Musical Phonology: But How do we Investigate 2:51
95. Vol. V - The Twentieth Century Crisis: As You Listen to This Finale 2:34
96. Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto (featuring New York Philharmonic) 10:15
97. Vol. I - Musical Phonology: Well, Then I Thought 2:06
98. Vol. VI - The Poetry of Earth: Musicologists Are Always Pointing 1:56
99. Vol. VI - The Poetry of Earth: If This Poem Were Rewritten 1:19
100. Vol. V - The Twentieth Century Crisis: What Exactly Was This News 1:59
101. Vol. VI - The Poetry of Earth: Even in the Most 2:02
102. Vol. II - Musical Syntax: But Now Let's Listen to 2:08
103. Vol. IV - The Delights and Dangers of Ambiguity: The Pivotal Point 1:39
104. Vol. VI - The Poetry of Earth: Now All This I Had Planned to Tell You 1:33
105. Vol. II - Musical Syntax: For Instance, in this Same First Movement 1:59
106. Vol. I - Musical Phonology: But Let's Not Make the Mistake 2:20
107. Vol. IV - The Delights and Dangers of Ambiguity: Is It, Says Wagner 2:15
108. Stravinsky: Oedipus Rex: Act I: "Gloria!" (featuring Boston Symphony Orchestra, Harvard Glee Club) 1:11
109. Vol. I - Musical Phonology: I Began by Imagining Myself 2:12
110. Vol. III - Musical Semantics: In Our Last Lecture 1:47
111. Vol. VI - The Poetry of Earth: In Fact, It Was Satie, Picasso, And Cocteau 2:20
112. Vol. IV - The Delights and Dangers of Ambiguity: The Idea of Ambiguity 1:32
113. Vol. V - The Twentieth Century Crisis: This Is Atonality 2:30
114. Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro (featuring New York Philharmonic) 5:27
115. Vol. IV - The Delights and Dangers of Ambiguity: It's Lovely, This Dreaming 2:35
116. Vol. II - Musical Syntax: Now We Are Ready 2:27
117. Vol. III - Musical Semantics: Even if You Can Succeed 2:41
118. Vol. VI - The Poetry of Earth: Now Can You Understand 1:37
119. Stravinsky: Oedipus Rex: Act II: The Dispute of the Princess Attracts the Attention of Jocasta (featuring Michael Wagener, Boston Symphony Orchestra, Harvard Glee Club) 2:10
120. Vol. IV - The Delights and Dangers of Ambiguity: Listen To This 1:45
121. Vol. V - The Twentieth Century Crisis: We Have Already Referred to Some of Those 3:01
122. Vol. V - The Twentieth Century Crisis: But 1908, if the Truth to be Told 1:27
123. Vol. IV - The Delights and Dangers of Ambiguity: Poetry Has Begun to Show 1:41
124. Vol. I - Musical Phonology: Now, I Must Point Out 1:56
125. Vol. VI - The Poetry of Earth: But It Was Precisely 1:57
126. Vol. IV - The Delights and Dangers of Ambiguity: In Fact, The Ending of this Piece 1:17
127. Vol. I - Musical Phonology: First of All 2:00
128. Vol. V - The Twentieth Century Crisis: It's as Though a New Covenant 1:39
129. Vol. II - Musical Syntax: That Introductory Accompaniment 1:26
130. Stravinsky: Oedipus Rex: Prologue: "Your Are About to Hear a Latin Version of Oedipus the King (featuring Michael Wagener) 0:58
131. Stravinsky: Oedipus Rex: Act II: "Ne Probentur Oracula" (featuring Boston Symphony Orchestra, Tatiana Troyanos) 3:20
132. Vol. VI - The Poetry of Earth: But Bitonality Does Not Only Serve 2:20
133. Vol. III - Musical Semantics: The Metaphor Arises 2:47
134. Vol. V - The Twentieth Century Crisis: Fantastic 2:49
135. Vol. II - Musical Syntax: Now I Wanna Take You 2:05
136. Vol. II - Musical Syntax: Here I Go 1:30
137. Vol. II - Musical Syntax: Well, it hasn't Brought us There 1:51
138. Vol. II - Musical Syntax: Now Our Job is 2:26
139. Vol. VI - The Poetry of Earth: But the Most Striking Semantic Effect 1:39
140. Vol. VI - The Poetry of Earth: But of Course He Was Forced 1:31
141. Stravinsky: Oedipus Rex: Act II: The Witness to the Murder Comes Out of the Shadow (featuring Michael Wagener) 0:44
142. Vol. I - Musical Phonology: This Is Not to Say that There Were No Drastic Changes 2:28
143. Vol. II - Musical Syntax: Good - Now Just as Three Notes are Linked Together 1:43
144. Vol. III - Musical Semantics: Now That's One Way of Looking 2:02
145. Vol. II - Musical Syntax: Tranformational Grammar 1:35
146. Vol. II - Musical Syntax: What Does this Three-Note Design Mean 1:55
147. Vol. II - Musical Syntax: I Have Asked Myself 1:54
148. Vol. III - Musical Semantics: We Will Never Know 2:22
149. Vol. IV - The Delights and Dangers of Ambiguity: And Then, in the Same Little Mazurka 1:55
150. Vol. V - The Twentieth Century Crisis: Is There Possibly the Beginning 2:46
151. Vol. I - Musical Phonology: Universality is a Big Word 2:31
152. Vol. I - Musical Phonology: And Again Comes a Great Leap 2:31
153. Vol. VI - The Poetry of Earth: But Why This Particular Misalliance 1:22
154. Vol. III - Musical Semantics: The Other Day 2:37
155. Vol. IV - The Delights and Dangers of Ambiguity: It's Almost Exactly What Happens 1:51
156. Vol. VI - The Poetry of Earth: But This Neoclassic Approach 1:10
157. Vol. II - Musical Syntax: You See, One of the Great Failings 1:57
158. Stravinsky: Oedipus Rex: Act I:" Oedipus Questions the Fountain of Truth (featuring Michael Wagener, Boston Symphony Orchestra, Harvard Glee Club) 2:44
159. Vol. I - Musical Phonology: Do you Realize 1:32
160. Vol. IV - The Delights and Dangers of Ambiguity: That May be the Slowest Performance 2:25
161. Vol. VI - The Poetry of Earth: Very Important, The Ironic Element 2:38
162. Vol. I - Musical Phonology: This is Not Just a Sentimental Anecdote 1:52
163. Stravinsky: Oedipus Rex: Act II: "Nonne monstru rescituri" (featuring René Kollo / Rene Kollo, Boston Symphony Orchestra) 3:24
164. Vol. VI - The Poetry of Earth: You Think That's Funny 2:42
165. Vol. I - Musical Phonology: Now this Means 1:38
166. Vol. III - Musical Semantics: And Here We Are in Trouble 1:05
167. Vol. IV - The Delights and Dangers of Ambiguity: Both Works Have Definitive Beginnings 1:31
168. Vol. VI - The Poetry of Earth: But Our Scene 1:53
169. Vol. III - Musical Semantics: Playing, That's the Word 1:47
170. Vol. IV - The Delights and Dangers of Ambiguity: Every Diminished Seventh Chord 1:23
171. Vol. II - Musical Syntax: But First, What are These Principles 1:49
172. Vol. II - Musical Syntax: Now From Here On 2:04
173. Vol. IV - The Delights and Dangers of Ambiguity: Foolish Questions 1:33
174. Vol. II - Musical Syntax: Now let's Go Back 1:48
175. Vol. V - The Twentieth Century Crisis: It Comes at a Point 2:47
176. Vol. II - Musical Syntax: I Am Sure I Don't Have to Trouble 2:16
177. Vol. IV - The Delights and Dangers of Ambiguity: And When Debussy 1:36
178. Vol. IV - The Delights and Dangers of Ambiguity: Quite Unconsciously Borrowed 1:49
179. Vol. VI - The Poetry of Earth: We Are Going to Hear 1:35
180. Vol. V - The Twentieth Century Crisis: The Twentieth Century 1:38
181. Roméo and Juliet, A Dramatic Symphony, Op. 17: Réunion des duex Themes, du Larghetto et de l'Allegro (Instrumental) (featuring New York Philharmonic) 3:45
182. Vol. V - The Twentieth Century Crisis: If This Particularly Demanding Lecture 1:20
183. Vol. III - Musical Semantics: We Can Expand the Idea 2:51
184. Vol. III - Musical Semantics: It Is To Be Found 1:38
185. Stravinsky: Oedipus Rex: It Was At This Point That I Wrote 1:43
186. Vol. III - Musical Semantics: Now We Have an Insight 2:12
187. Vol. V - The Twentieth Century Crisis: Now You Look at Those First Two Bars 2:19
188. Vol. III - Musical Semantics: That's One of the Questions 1:59
189. Vol. I - Musical Phonology: Let's Make a Simple Analogy 2:03
190. Vol. V - The Twentieth Century Crisis: A Charming Idea 0:27
191. Vol. II - Musical Syntax: The Circle of Fifths Again 2:02
192. Symphony No. 40 in G Minor, K. 550: I. Allegro molto (featuring New York Philharmonic) 8:19
193. Vol. III - Musical Semantics: But What Are We to Say 1:40
194. Vol. V - The Twentieth Century Crisis: It Seems Somehow Inevitable 2:17
195. Vol. IV - The Delights and Dangers of Ambiguity: Prelude and Love-Death (From "Tristan and Isolde") (featuring New York Philharmonic) 19:04
196. Vol. III - Musical Semantics: But Why Were Just Those Two Notes Added 2:05
197. Stravinsky: Oedipus Rex: And I Believe 2:40
198. Vol. III - Musical Semantics: Of Course, That Last Metaphorical Leap 1:50
199. Vol. II - Musical Syntax: And That Was all One Single Sentence 1:17
200. Vol. V - The Twentieth Century Crisis: These Are Some of the Problems 2:39
201. Vol. V - The Twentieth Century Crisis: So, now in 1908 2:10
202. Vol. III - Musical Semantics: Let's Begin at the Beginning 1:40
203. Vol. III - Musical Semantics: But That's Not the Main Event 2:04
204. Vol. IV - The Delights and Dangers of Ambiguity: But, Mind You 1:53
205. Vol. IV - The Delights and Dangers of Ambiguity: And This Is What Gives Tristan 2:53
206. Vol. III - Musical Semantics: Now, Having Defined My Usages of Metaphor 1:58
207. Vol. II - Musical Syntax: Mozart's G Minor Symphony 1:21
208. Stravinsky: Oedipus Rex: Act II: "Nonn'erubescite, reges" (featuring Boston Symphony Orchestra, Tatiana Troyanos, Harvard Glee Club) 4:25
209. Vol. II - Musical Syntax: So, Let's Pull Up Our Socks 1:36
210. Vol. II - Musical Syntax: All Right, Let's Try Another One 2:08
211. Vol. IV - The Delights and Dangers of Ambiguity: What a Piece 2:30
212. Vol. IV - The Delights and Dangers of Ambiguity: So There Is a Dramatic Change 1:50
213. Vol. II - Musical Syntax: And if You are Still not Convinced 2:32
214. Vol. II - Musical Syntax: Development Coming Up 2:07
215. Vol. V - The Twentieth Century Crisis: So, All in All 0:52
216. Vol. V - The Twentieth Century Crisis: Rhapsodie espagnole, M. 54: IV. Feria (featuring New York Philharmonic) 6:33
217. Vol. VI - The Poetry of Earth: Chomsky Himself Gives a Classic Example 2:08
218. Stravinsky: Oedipus Rex: During that Decade 1:46
219. Vol. VI - The Poetry of Earth: Brutal It May Be 1:31
220. Vol. IV - The Delights and Dangers of Ambiguity: So it is After All Not So Surprising 2:30
221. Vol. VI - The Poetry of Earth: Of Course, With the Waste Land 1:16
222. Stravinsky: Oedipus Rex: Act II: And Now You Are Going to Hear That Famous Monolog (featuring Michael Wagener) 1:38
223. Vol. VI - The Poetry of Earth: But the Thing of It All Is 1:31
224. Stravinsky: Oedipus Rex: Act I: "Dicere non possum" (featuring Boston Symphony Orchestra, Ezio Flagello) 5:22
225. Vol. IV - The Delights and Dangers of Ambiguity: Because the Scale 1:53
226. Vol. VI - The Poetry of Earth: Now, Remember 1:59
227. Vol. I - Musical Phonology: But Let's be Careful 1:43
228. Vol. VI - The Poetry of Earth: And Then Mozart Appears 2:35
229. Vol. IV - The Delights and Dangers of Ambiguity: Literally Translated 1:35
230. Vol. IV - The Delights and Dangers of Ambiguity: For Example, Do You Remember 1:44
231. Vol. V - The Twentieth Century Crisis: And What About Beethoven's Nineth 2:43
232. Vol. V - The Twentieth Century Crisis: What a Way to Enter the Twentieth Century 1:38
233. Vol. I - Musical Phonology: Maybe Even a Divine One 1:32
234. Vol. II - Musical Syntax: I Think it Follows 1:52
235. Vol. II - Musical Syntax: Every Once in a While 1:43
236. Stravinsky: Oedipus Rex: Act II: "Divum locastae caput mortuum!" (featuring Boston Symphony Orchestra, David Evitts) 3:09
237. Vol. I - Musical Phonology: Perhaps the Principal Thing 1:39
238. Vol. III - Musical Semantics: There Are Three Specific Ways 2:02
239. Vol. III - Musical Semantics: The First Would Show Us One Meaning 1:12
240. Vol. V - The Twentieth Century Crisis: It's Very Strange, How the Pieces 2:11
241. Roméo and Juliet, A Dramatic Symphony, Op. 17: Allegro - Larghetto espressivo - (Instrumental) (featuring New York Philharmonic) 1:57
242. Vol. II - Musical Syntax: Last Week 2:24
243. Vol. V - The Twentieth Century Crisis: But For All These Reasons 2:46
244. Vol. V - The Twentieth Century Crisis: I Have Recently Been Reading 1:59
245. Vol. II - Musical Syntax: These Ambiguities 1:20
246. Vol. II - Musical Syntax: Well Then 1:47
247. Vol. VI - The Poetry of Earth: And While You Are in That Record Shop 2:15
248. Vol. V - The Twentieth Century Crisis: I that Luminous Final Triad 2:16
249. Vol. I - Musical Phonology: But Meanwhile we are Still in the Golden Age 2:55
250. Vol. II - Musical Syntax: So What Your Ask 1:58
251. Stravinsky: Oedipus Rex: Act I: "Caedit nos pestis" (featuring Boston Symphony Orchestra, Harvard Glee Club) 4:05
252. Vol. VI - The Poetry of Earth: Even Some Germans 2:05
253. Vol. I - Musical Phonology: And All by Those Progressions 1:34
254. Vol. V - The Twentieth Century Crisis: Trouble is, That the New Musical Rules 2:22
255. Symphony No. 40 in G Minor, K. 550: III. Menuetto, Allegretto (featuring New York Philharmonic) 4:37
256. Vol. V - The Twentieth Century Crisis: In Any Case 1:57
257. Vol. IV - The Delights and Dangers of Ambiguity: But Ultimately 1:37
258. Vol. V - The Twentieth Century Crisis: These Troubling Presentiments 2:18
259. Stravinsky: Oedipus Rex: Act II: "Ego senem cecici" (featuring René Kollo / Rene Kollo, Boston Symphony Orchestra) 2:07
260. Vol. I - Musical Phonology: And that's how the Tempered Clavichord 2:12
261. Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro (featuring New York Philharmonic) 3:42
262. Vol. VI - The Poetry of Earth: Chilling, Shattering, Neoclassic 1:45
263. Vol. VI - The Poetry of Earth: And Now We Are Finally Ready 2:36
264. Vol. I - Musical Phonology: I Trust You Realize 2:16
265. Vol. I - Musical Phonology: But Even these Twelve Tones 1:50
266. Vol. VI - The Poetry of Earth: Look: Here Is a Joke 2:01
267. Stravinsky: Oedipus Rex: Act I: "This is Creon, Brother-In-Law of Oedipus (featuring Michael Wagener) 0:26
268. Vol. III - Musical Semantics: But Does This Stravinskian Game Concept 2:31
269. Vol. II - Musical Syntax: Because Now it's Time 1:35
270. Vol. IV - The Delights and Dangers of Ambiguity: Then What's the Magic Secret 2:52
271. Vol. V - The Twentieth Century Crisis: Now Let's Jump Ahead 2:22
272. Vol. I - Musical Phonology: The First Overtone 2:33
273. Vol. III - Musical Semantics: Well, I Replied, Chomsky Would Say 2:05
274. Vol. III - Musical Semantics: But Wait 1:53
275. Vol. IV - The Delights and Dangers of Ambiguity: My Purpose In All This 2:25
276. Stravinsky: Oedipus Rex: Act II "Adest omniscius pastor" (featuring Boston Symphony Orchestra, Harvard Glee Club) 4:32
277. Vol. III - Musical Semantics: So Why the Pastorale on this Lecture 2:41
278. Vol. IV - The Delights and Dangers of Ambiguity: This New Episode that Proceeds 1:23
279. Vol. II - Musical Syntax: Take the Passive Transformation 1:50
280. Vol. IV - The Delights and Dangers of Ambiguity: For Instance, Hardly Have We Had Time 2:29
281. Vol. I - Musical Phonology: Now You Can See 1:28
282. Vol. V - The Twentieth Century Crisis: The Unanswered Question 5:23
283. Vol. V - The Twentieth Century Crisis: Our Lecture Tonight 0:18
284. Vol. IV - The Delights and Dangers of Ambiguity: But Notice, Too, that the Example 1:34
285. Roméo and Juliet, A Dramatic Symphony, Op. 17: Allegro - (Instrumental) (featuring New York Philharmonic) 2:21
286. Vol. VI - The Poetry of Earth: I Know What Your Are Thinking 1:52
287. Vol. IV - The Delights and Dangers of Ambiguity: And Chopin Well We Can't Ignore Chopin 2:52
288. Prélude à l'après-midi d'un faune, L. 86 (Remastered) (featuring New York Philharmonic) 10:24
289. Vol. V - The Twentieth Century Crisis: Son of Tristan 2:30
290. Vol. III - Musical Semantics: We All Recognize Antithesis 1:46
291. Vol. III - Musical Semantics: What' Seriously Striking 2:16
292. Vol. IV - The Delights and Dangers of Ambiguity: Let Me Show You Briefly 2:07
293. Vol. V - The Twentieth Century Crisis: The Kind of Tonal Feeling 2:53
294. Vol. V - The Twentieth Century Crisis: Let's Put it Another Way 2:09
295. Vol. V - The Twentieth Century Crisis: What Do You Do If You Know All This 2:34
296. Vol. VI - The Poetry of Earth: For Our Purposes 2:11
297. Vol. VI - The Poetry of Earth: Now I Have Just Used Two Words 1:54
298. Vol. I - Musical Phonology: So, we're in the Midst of a Chromatic Adventure 1:27
299. Vol. III - Musical Semantics: And Again, as in the Poem 2:13
300. Vol. VI - The Poetry of Earth: Of Course, These Asymmetries (featuring Boston Symphony Orchestra) 1:53
301. Vol. III - Musical Semantics: All Right, First Let's Look Briefly 2:41
302. Vol. VI - The Poetry of Earth: Why Have I Digressed 1:45
303. Stravinsky: Oedipus Rex: Act I: "Liberi vos liberabo" (featuring René Kollo / Rene Kollo, Boston Symphony Orchestra, Harvard Glee Club) 3:29
304. Vol. II - Musical Syntax: I Suppose What Chomsky is Really After 2:49
305. Vol. VI - The Poetry of Earth: This Union Is Possible Only Because 2:57
306. Vol. VI - The Poetry of Earth: This New Aesthetic Relaxation 2:10
307. Vol. I - Musical Phonology: But Where do these Notes Come from? 2:22
308. Vol. III - Musical Semantics: Now, If We Accept This General Idea 1:40
309. Vol. II - Musical Syntax: Listen to the Whole Exposition 2:02
310. Vol. VI - The Poetry of Earth: You Can See How the Transformation 1:55
311. Vol. III - Musical Semantics: It Can and It Does 1:24
312. Vol. V - The Twentieth Century Crisis: If You Really Have Been Thinking 2:13

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