|
No. |
Title |
Length |
| 1. |
Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Pt. II, Final Scene from Faust: Poco adagio - Piu mosso (featuring Westminster Choir, George London, Martha Lipton, New York Philharmonic, Uta Graf, Carlos Alexander, Frances Yeend, Eugene Conley, Schola Cantorium, Manhattan Public School Boy's Chorus) |
7:40 |
| 2. |
Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Pt. II, Final Scene from Faust: Waldung, sie schwankt heran (Heilige Anachoreten, Pater Ecstaticus) (featuring Westminster Choir, George London, Martha Lipton, New York Philharmonic, Uta Graf, Carlos Alexander, Frances Yeend, Eugene Conley, Schola Cantorium, Manhattan Public School Boy's Chorus) |
4:38 |
| 3. |
Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Pt. II, Final Scene from Faust: Wie Felsenabgrund mir zu Fusse (Pater Profundus) (featuring Westminster Choir, George London, Martha Lipton, New York Philharmonic, Uta Graf, Carlos Alexander, Frances Yeend, Eugene Conley, Schola Cantorium, Manhattan Public School Boy's Chorus) |
4:59 |
| 4. |
Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Pt. II, Final Scene from Faust: Gerettet ist das edle Glied (Chorus of Angels) (featuring Westminster Choir, George London, Martha Lipton, New York Philharmonic, Uta Graf, Carlos Alexander, Frances Yeend, Eugene Conley, Schola Cantorium, Manhattan Public School Boy's Chorus) |
4:04 |
| 5. |
Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Pt. II, Final Scene from Faust: Ich spur' soeben nebelnd um Felsenhoh' (Die vollendeteren Engel, Die jungeren Engel, Die seligen Knaben, Doctor Marianus) (featuring Westminster Choir, George London, Martha Lipton, New York Philharmonic, Uta Graf, Carlos Alexander, Frances Yeend, Eugene Conley, Schola Cantorium, Manhattan Public School Boy's Chorus) |
7:09 |
| 6. |
Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Pt. II, Final Scene from Faust: Dir, der Unberuhrbaren (Chorus) (featuring Westminster Choir, George London, Martha Lipton, New York Philharmonic, Uta Graf, Carlos Alexander, Frances Yeend, Eugene Conley, Schola Cantorium, Manhattan Public School Boy's Chorus) |
3:02 |
| 7. |
Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Pt. II, Final Scene from Faust: Bei der Liebe, die den Fussen (Magna Peccatrix, Mulier Samaritana) (featuring Westminster Choir, George London, Martha Lipton, New York Philharmonic, Uta Graf, Carlos Alexander, Frances Yeend, Eugene Conley, Schola Cantorium, Manhattan Public School Boy's Chorus) |
3:29 |
| 8. |
Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Pt. II, Final Scene from Faust: Bei dem hochgeweihten Orte (Maria Aegyptiaca) (featuring Westminster Choir, George London, Martha Lipton, New York Philharmonic, Uta Graf, Carlos Alexander, Frances Yeend, Eugene Conley, Schola Cantorium, Manhattan Public School Boy's Chorus) |
3:40 |
| 9. |
Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Pt. II, Final Scene from Faust: Neige, neige, du Ohnegleiche (Una Poenitentium, Selige Knaben) (featuring Westminster Choir, George London, Martha Lipton, New York Philharmonic, Uta Graf, Carlos Alexander, Frances Yeend, Eugene Conley, Schola Cantorium, Manhattan Public School Boy's Chorus) |
4:48 |
| 10. |
Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Pt. II, Final Scene from Faust: Komm! Hebe dich zu hohern Spharen! (Mater Gloriosa, Doctor Marianus) (featuring Westminster Choir, George London, Martha Lipton, New York Philharmonic, Uta Graf, Carlos Alexander, Frances Yeend, Eugene Conley, Schola Cantorium, Manhattan Public School Boy's Chorus) |
5:55 |
| 11. |
Symphony No. 8 in E-Flat Major, "Symphony of a Thousand": Pt. II, Final Scene from Faust: Blicket auf zum Retterblick, alle reuig Zarten (Chorus Mysticus) (featuring Westminster Choir, George London, Martha Lipton, New York Philharmonic, Uta Graf, Carlos Alexander, Frances Yeend, Eugene Conley, Schola Cantorium, Manhattan Public School Boy's Chorus) |
6:00 |
