Masters of Jazz - Lester Young
Download links and information about Masters of Jazz - Lester Young by Lester Young. This album was released in 1989 and it belongs to Jazz genres. It contains 38 tracks with total duration of 02:12:12 minutes.
Artist: | Lester Young |
---|---|
Release date: | 1989 |
Genre: | Jazz |
Tracks: | 38 |
Duration: | 02:12:12 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Shoe Shine Boy | 2:59 |
2. | Lady Be Good | 3:07 |
3. | Roseland Shuffle | 2:33 |
4. | Foolin' Myself | 3:02 |
5. | I'll Never Be the Same | 3:04 |
6. | Time Out | 2:56 |
7. | Honeysuckle Rose | 2:36 |
8. | Texas Shuffle | 3:05 |
9. | Way Down Younder In New Orleans | 2:55 |
10. | Countless Blues | 2:57 |
11. | I Want a Litte Girl | 2:50 |
12. | Pagin' the Devil | 2:52 |
13. | Dark Rapture | 2:44 |
14. | I Ain't Got Nobody | 2:58 |
15. | Taxi War Dance | 2:51 |
16. | 12th Street Rag | 3:05 |
17. | Lester Leaps In | 3:14 |
18. | Tickle Toes | 2:40 |
19. | Lester's Dream | 3:21 |
20. | Body and Soul | 5:06 |
21. | I Got Rhythm | 4:08 |
22. | I Never Knew | 3:08 |
23. | Sometimes I'm Happy | 3:06 |
24. | After Theater Jump | 4:43 |
25. | Lester Leaps Again | 4:25 |
26. | Destination K.C | 4:50 |
27. | Three Little Words | 2:54 |
28. | Salute To Fats | 3:00 |
29. | Basie English | 3:01 |
30. | Blue Lester | 3:23 |
31. | Ghost of a Chance | 3:27 |
32. | Kansas City Stride | 3:45 |
33. | Jammin' the Blues | 10:21 |
34. | D.B. Blues | 2:59 |
35. | These Foolish Things | 3:10 |
36. | I Can't Get Started | 3:03 |
37. | I Want To Be Happy | 3:58 |
38. | Back To the Land | 3:56 |
Details
[Edit]This recording from the European Storyville label has some of tenor saxophonist Lester Young's better live performances from the 1950s. Trumpeter Jesse Drakes is on about half of the set, and the young pianist Horace Silver is heard on three songs from 1951. However, the better performances are from 1956 with Young joined by the Bill Potts Trio and, on four songs, the fine trumpeter Idrees Sulieman. Although Young's health declined gradually throughout the 1950s, his playing (when his strength did not give out) was generally at a fairly high level, actually superior emotionally to his earlier recordings. This is an excellent set of rarities.