No. |
Title |
Length |
1. |
Locus iste (Sanctus) (featuring Robert Prizeman, John Anderson, Chris Dodd, Fiona Pears, Ian Tilley, Steven Geraghty) |
3:53 |
2. |
Always with you (featuring Robert Prizeman, John Anderson, Chris Dodd, Fiona Pears, Ian Tilley, Steven Geraghty, Tom Cully) |
3:56 |
3. |
Ave Maria (featuring Robert Prizeman, John Anderson, Chris Dodd, Fiona Pears, Ian Tilley, Steven Geraghty, Conor O'Donnell) |
4:06 |
4. |
Libera (featuring Robert Prizeman, John Anderson, Chris Dodd, Fiona Pears, Ian Tilley, Steven Geraghty, Michael Horncastle, Joseph Sanders-Wilde) |
3:59 |
5. |
Sempiterna (featuring Robert Prizeman, John Anderson, Chris Dodd, Fiona Pears, Ian Tilley, Steven Geraghty, Tom Cully, Joseph Sanders-Wilde) |
4:27 |
6. |
Prayer (featuring Robert Prizeman, John Anderson, Chris Dodd, Fiona Pears, Ian Tilley, Steven Geraghty, Michael Horncastle, Callum Payne) |
4:04 |
7. |
Recordare (featuring Robert Prizeman, John Anderson, Chris Dodd, Fiona Pears, Ian Tilley, Steven Geraghty, Conor O'Donnell, Joseph Sanders-Wilde) |
4:57 |
8. |
Wings of a Dove (featuring Robert Prizeman, John Anderson, Chris Dodd, Fiona Pears, Ian Tilley, Steven Geraghty) |
4:15 |
9. |
Something sings (featuring Robert Prizeman, John Anderson, Chris Dodd, Fiona Pears, Ian Tilley, Steven Geraghty, Michael Horncastle) |
3:43 |
10. |
New Day (featuring Robert Prizeman, John Anderson, Chris Dodd, Fiona Pears, Ian Tilley, Steven Geraghty) |
2:23 |
11. |
We are the lost (featuring Robert Prizeman, John Anderson, Chris Dodd, Fiona Pears, Ian Tilley, Steven Geraghty, Michael Horncastle, Tom Cully) |
4:21 |
12. |
Sing for ever (featuring Robert Prizeman, John Anderson, Chris Dodd, Fiona Pears, Ian Tilley, Steven Geraghty, Michael Horncastle) |
4:07 |
13. |
Abide with me (featuring Robert Prizeman, John Anderson, Chris Dodd, Fiona Pears, Ian Tilley, Steven Geraghty, James Vereycken) |
3:27 |
The second album under EMI Classics from the Libera boys choir from London, Visions showcases an array of classical crossover styles. There is a core of liturgical music here, reworked for the choir's signature sound. A highlight in this aspect is the newer arrangement of "Libera" — where the choir took its name and an adaptation of the liturgical Libera Me. Along with the traditional music, there are hints of a more contemporary nature, such as the cover of "Wings of a Dove" that became a relative hit for the group.