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Texas Towns & Tex-Mex Sounds

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Download links and information about Texas Towns & Tex-Mex Sounds by Los Texmaniacs. This album was released in 2012 and it belongs to Latin genres. It contains 18 tracks with total duration of 01:02:04 minutes.

Artist: Los Texmaniacs
Release date: 2012
Genre: Latin
Tracks: 18
Duration: 01:02:04
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Tracks

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No. Title Length
1. Ay Te Dejo en San Antonio (I Leave You In San Antonio) [Canción-polca] 3:50
2. Amor Bonito (Pretty Love) [Canción-polca] 3:50
3. El Paso / San Antonio Rose (Western Ballads) (featuring Ray Benson, Bobby Flores) 5:01
4. Viva Seguín (Long Live Seguín) [Polca] 2:40
5. Si Quieres Verme Llorar (If You Want to See Me Cry) [Bolero] 2:58
6. Ana Mía (My Ana) [Canción-polca] 3:21
7. Los Barandales del Puente (The Railings of the Bridge) [Canción Mexicana] 2:59
8. Atotonilco (Canción-polca) [Instrumental Version] 4:28
9. Waltz Across Texas (Waltz-song) (featuring Jason Roberts) 2:50
10. El Buque de Más Potencia (The Most Powerful Ship) 3:49
11. El Aeroplanito (The Little Airplane) [Redova] 2:56
12. Mojado Sin Licencia (W*****k Without a License) [Canción-polca] 3:04
13. Mil Besos (A Thousand Kisses) [Bolero] 3:01
14. La Lamparita (The Little Lamp) 2:21
15. The Eyes of Texas / Deep in the Heart of Texas (featuring Bobby Flores) 2:58
16. El Contrabando del Paso (El Paso Contraband) [Corrido] 3:47
17. Por una Mujer Casada (Because of a Married Woman) [Canción Ranchera] 4:22
18. Salvador (Waltz) 3:49

Details

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Los Texmaniacs are one of the most accomplished contemporary Tejano bands. Their leader, Max Baca, plays the bajo sexto with the rhythmic authority of an old pro, coming down hard on the thumping two-step rhythms of conjunto and embellishing slower numbers with dexterous fingerpicking. Texas Towns and Tex Mex Sounds is Los Texmaniacs' second album for the Smithsonian Folkways imprint, and it's every bit as winning as its predecessor, Borders y Bailles. That album was so widely feted that it netted Los Texmaniacs a much-deserved Grammy, but Texas Towns may just better it. Texas Towns manages to convey Los Texmaniacs’ boundless love for the traditions of conjunto and norteño without sounding like an academic exercise. Indeed, Texas Towns conveys a real sense of the breadth of Tejano musical culture. It includes a nod toward the influence of country music in the form of an ambling cover of Ernest Tubb’s classic “Waltz Across Texas,” and it enlivens boleros, redovas, and waltzes with bluesy flourishes and soulful accents.