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The Raven (Expanded Edition)

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Download links and information about The Raven (Expanded Edition) by Lou Reed. This album was released in 2003 and it belongs to Rock, Pop genres. It contains 36 tracks with total duration of 02:05:12 minutes.

Artist: Lou Reed
Release date: 2003
Genre: Rock, Pop
Tracks: 36
Duration: 02:05:12
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Tracks

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No. Title Length
1. The Conqueror Worm 2:16
2. Overture 1:05
3. Old Poe 0:40
4. Prologue 4:49
5. Edgar Allan Poe 3:20
6. The Valley of Unrest 2:26
7. Call On Me (feat. Laurie Anderson) 2:07
8. The City In the Sea / Shadow 4:14
9. A Thousand Departed Friends 4:58
10. Change 2:18
11. The Fall of the House of Usher 8:43
12. The Bed 3:32
13. Perfect Day (feat. Antony) 3:27
14. The Raven 6:30
15. Balloon 1:01
16. Broadway Song 3:12
17. The Tell Tale Heart, Pt. 1 2:24
18. Blind Rage 3:25
19. Tell Tale Heart, Pt. 2 1:43
20. Burning Embers 3:22
21. Imp of the Perverse 3:12
22. Vanishing Act 5:23
23. The Cask 6:41
24. Guilty (feat. Ornette Coleman) 2:45
25. Guilty (feat. Ornette Coleman) 4:54
26. A Wild Being from Birth 5:34
27. I Wanna Know (The Pit and the Pendulum) 6:58
28. Science of the Mind (feat. Blind Boys of Alabama) 1:35
29. Annabel Lee / The Bells 1:41
30. Hop Frog (feat. David Bowie) 1:46
31. Every Frog Has His Day 1:06
32. Tripitena's Speech 2:19
33. Who Am I? (Tripitena's Song) 4:30
34. The Courtly Orangutans 1:41
35. Fire Music 2:44
36. Guardian Angel 6:51

Details

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This 36-track edition of The Raven was initially released as a limited-edition CD, with a condensed 21-track version being the common issue. However, as with all things Reed, it's best doing things in excess. Reed has a natural affinity toward Edgar Allan Poe’s dark and forbidden world, and it makes an odd sense that his own dark-horse tunes—"The Bed," "Perfect Day"— would slot so easily alongside these timeless Poe writings. Avant-garde theater director Robert Wilson commissioned Reed to assemble this project for a production called POE-Try. Dramatic readings by Willem Dafoe, Steve Buscemi, Amanda Plummer, and Elizabeth Ashley accentuate the high weirdness, while producer Hal Willner provides a great amount of room for the sounds to coalesce. The music’s an eclectic mix of acoustic and electric arrangements, with the advantage of having Laurie Anderson, Antony Hegarty, David Bowie, Kate and Anna McGarrigle, The Blind Boys of Alabama, and Ornette Coleman add their finishing touches. Jane Scarpantoni's cello is a major player, and her string arrangements give Reed further depth.