My Wild Irish Rose
Download links and information about My Wild Irish Rose by Lover, John McCormack, Nathaniel Shilkret, Victor Herbert, Rosario Bourdon, Edwin Schneider, Spencer Clay. This album was released in 1997 and it belongs to World Music, Celtic genres. It contains 22 tracks with total duration of 01:07:19 minutes.
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| Artist: | Lover, John McCormack, Nathaniel Shilkret, Victor Herbert, Rosario Bourdon, Edwin Schneider, Spencer Clay |
| Release date: | 1997 |
| Genre: | World Music, Celtic |
| Tracks: | 22 |
| Duration: | 01:07:19 |
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| Buy on iTunes $9.99 | |
| Buy on Amazon $9.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Ireland, Mother Ireland | 3:15 |
| 2. | By the Short Cut to the Rosses | 1:25 |
| 3. | Ireland, My Sireland | 2:35 |
| 4. | Alanna Asthore (From "Eileen") | 2:15 |
| 5. | Kathleen Mavourneen | 4:20 |
| 6. | Mother Machree | 3:13 |
| 7. | The Irish Emigrant (Alternate Take) | 3:07 |
| 8. | Molly Bawn | 3:36 |
| 9. | The Low-Backed Car | 2:19 |
| 10. | Believe Me If All Those Endearing Young Charms | 3:13 |
| 11. | Molly Brannigan | 2:46 |
| 12. | When Irish Eyes Are Smiling (From "Isle o' Dreams") | 3:06 |
| 13. | The Foggy Dew | 2:04 |
| 14. | Where the River Shannon Flows | 3:04 |
| 15. | The Rose of Tralee | 3:18 |
| 16. | The Bard of Armagh (From "the Bard of Armagh") | 2:57 |
| 17. | The Wearing of the Green | 2:42 |
| 18. | Dear Little Shamrock | 3:58 |
| 19. | Come Back to Erin | 3:50 |
| 20. | Asthore | 4:19 |
| 21. | My Lagan Love | 2:48 |
| 22. | My Wild Irish Rose (From "a Romance of Athlone") | 3:09 |
Details
[Edit]This is a well-chosen 22-track, 68 1/2-minute, digitally remastered compilation of John McCormack's recordings of Irish-oriented songs, ranging from traditional material to songs that were recently written when performed. Six of them feature only piano accompaniment; among the other tracks, two come from Irish composer Victor Herbert's operetta Eileen and feature Herbert's own orchestra under his baton. The age of the recordings (dating from 1910 to 1930) has not been masked by noise-reduction techniques, but McCormack's ringing tones still come through, and his renditions of these frankly sentimental songs have an emotional resonance not found in his more classical efforts.