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Essence of Love (Persian Lyrics)

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Download links and information about Essence of Love (Persian Lyrics) by Madjid Derakhshâni / Madjid Derakhshani, Zoreh Jooya. This album was released in 2001 and it belongs to World Music genres. It contains 9 tracks with total duration of 54:33 minutes.

Artist: Madjid Derakhshâni / Madjid Derakhshani, Zoreh Jooya
Release date: 2001
Genre: World Music
Tracks: 9
Duration: 54:33
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Tracks

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No. Title Length
1. I Am Baffled About You (feat. Klaus Gesing, Marwan Abado, Thomas Nawratil & Reza Safaverdi) 4:45
2. Bidad (featuring Klaus Gesing) 1:29
3. In My Heart Is Room for No One (feat. Klaus Gesing, Marwan Abado, Thomas Nawratil & Reza Safaverdi) (featuring Zohreh Jooya) 7:11
4. Aziz, for My Beloved (feat. Klaus Gesing, Marwan Abado, Thomas Nawratil & Reza Safaverdi) 3:48
5. My Soul: Nava (feat. Klaus Gesing, Marwan Abado, Thomas Nawratil & Reza Safaverdi) (featuring Zohreh Jooya) 9:14
6. Tonight I Am so Enruptured (feat. Klaus Gesing, Marwan Abado, Thomas Nawratil & Reza Safaverdi) (featuring Zohreh Jooya) 6:16
7. Praying. Niyayesh: Thou passast through me (feat. Klaus Gesing, Marwan Abado, Thomas Nawratil & Reza Safaverdi) (featuring Zohreh Jooya) 5:56
8. Bon Voyage (feat. Klaus Gesing, Marwan Abado, Thomas Nawratil & Reza Safaverdi) (featuring Zohreh Jooya) 8:24
9. Let Go. Improvisation (feat. Klaus Gesing, Marwan Abado, Thomas Nawratil & Reza Safaverdi) 7:30

Details

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Music of the Persian Mystics is a collection of songs from the Sufist traditions adapted for instrumentation by Madjid Derakhshani, a masterful Iranian string player as well as the founder of an Iranian music school in Germany. Zohreh Jooya, the Iranian-born Western opera singer, provides the majority of the vocals (along with Derakhshani himself). The concept behind the album is to fuse, to some degree, the musics of Persia with those of the Occident. The songs themselves are from the poetic repertoire of the greats of Sufist thought: Rumi, Saadi, and Hafiz, among others. The instrumentation, though, will make the listener take note of the inclusion of a saxophone and cellos at the least, and a stray tabla wandering in from the east. The vocal delivery by Jooya is the other aspect one might note as distinctly Westernized. The lyrics are in Persian, but the delivery is clear and powerful in the form of the Western opera, with the distinctive throatiness of Middle Eastern vocals missing almost entirely. The coalition between styles of music doesn't really do the poetry justice, as some of the emotion is seemingly stripped from it by the more austere vocal style. The instrumentation coalition does provide an interesting starting point toward a more thorough fusion of styles, but it's rather shaky. All of the performers play their parts excellently, but it's the use of them together that may make the listener wonder. Pick it up for a look at one idea of the fusion between the Occident and Orient, but pick up others first, perhaps artists under Peter Gabriel's projects, or one of Hossam Ramzy's various forays.