Face of Love (Original Motion Picture Soundtrack)
Download links and information about Face of Love (Original Motion Picture Soundtrack) by Marcelo Zavros. This album was released in 2014 and it belongs to Theatre/Soundtrack genres. It contains 24 tracks with total duration of 49:46 minutes.
Artist: | Marcelo Zavros |
---|---|
Release date: | 2014 |
Genre: | Theatre/Soundtrack |
Tracks: | 24 |
Duration: | 49:46 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | I Built It For You | 0:53 |
2. | The Face of Love | 1:56 |
3. | Painting Montage | 4:42 |
4. | Tom Checks Out Nikki | 1:03 |
5. | Summer Arrives | 1:58 |
6. | Nikki Sitting On Bench | 1:36 |
7. | Car Chase | 1:19 |
8. | Main Title / Tom Swims | 2:48 |
9. | Birds of Paradise | 1:37 |
10. | Beach Chase | 5:23 |
11. | Tom and Nikki | 1:45 |
12. | Memory Box | 1:30 |
13. | The Kiss | 1:43 |
14. | Baking Bread | 0:39 |
15. | Drive To Nikki's | 1:46 |
16. | Come With Me To Mexico | 3:23 |
17. | Crashing Waves | 1:21 |
18. | Old Pictures | 1:48 |
19. | Seeing Tom | 2:35 |
20. | Apology | 0:43 |
21. | Garrett's Photograph | 1:07 |
22. | Tom's Painting Class | 3:23 |
23. | Nikki and Garrett | 1:59 |
24. | Ending Suite | 2:49 |
Details
[Edit]What if you lost the love of your life, then years later discovered his or her doppelgänger: a complete stranger? Director Arie Posin made a film by taking that premise from a childhood incident, shrewdly casting veterans Annette Bening, Ed Harris, and Robin Williams, and invoking the sensibilities of both Sirk and Hitchcock. Then he entrusted the musical score to Brazilian-born composer Marcelo Zarvos (Ray Donovan, The Big C, Brooklyn’s Finest). The director “wanted a timeless feel to the score,” Zarvos notes. “We used an orchestra with very strong thematic material that would hit the emotional, romantic, and suspenseful elements of the story. The goal of the music was to keep us guessing to the very end what was real or imaginary.” That inspired Zarvos toward elegantly spare, often modernistic piano and orchestra cues that recall not so much the fabled Herrmann/Hitchcock axis as they do the collaborations of DePalma and Donaggio; they're cast in a cool, haunting musical melancholy that's distinctly Zarvos’ own.