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Filactera

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Download links and information about Filactera by Mário Delgado / Mario Delgado. This album was released in 2002 and it belongs to Jazz genres. It contains 10 tracks with total duration of 01:11:48 minutes.

Artist: Mário Delgado / Mario Delgado
Release date: 2002
Genre: Jazz
Tracks: 10
Duration: 01:11:48
Buy on iTunes $9.99
Buy on Songswave €2.42

Tracks

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No. Title Length
1. I'm a Poor Lonesome Cowboy (featuring Alexandre Frazão / Alexandre Frazao, Andrej Olejniczak, Calos Barretto) 7:53
2. Armadilha Diabólica (featuring Alexandre Frazão / Alexandre Frazao, Andrej Olejniczak, Calos Barretto) 10:34
3. Sete Bolas de Cristal (featuring Alexandre Frazão / Alexandre Frazao, Andrej Olejniczak, Calos Barretto) 7:08
4. Corto Maltese (featuring Alexandre Frazão / Alexandre Frazao, Andrej Olejniczak, Calos Barretto) 7:25
5. Gatos e Corvos (Fritz the Cat) (featuring Alexandre Frazão / Alexandre Frazao, Andrej Olejniczak, Calos Barretto) 11:49
6. Blues Dos Freak Brothers (featuring Alexandre Frazão / Alexandre Frazao, Andrej Olejniczak, Calos Barretto) 6:15
7. A Mulher Armadilha (featuring Alexandre Frazão / Alexandre Frazao, Andrej Olejniczak, Calos Barretto) 3:27
8. Marcha Das Múmias Loucas / Gelati Blues (featuring Alexandre Frazão / Alexandre Frazao, Andrej Olejniczak, Calos Barretto) 8:52
9. A Tensão U=RI (featuring Alexandre Frazão / Alexandre Frazao, Andrej Olejniczak, Calos Barretto) 5:40
10. I'm a Poor Lonesome Cowboy (featuring Alexandre Frazão / Alexandre Frazao, Andrej Olejniczak, Calos Barretto) 2:45

Details

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There is a woozy, fractured bumptiousness to the tracks on guitarist Mario Delgado's album Filactera. Delgado, whose electric style falls somewhere between John Scofield and Marc Ribot, leads his group through various funky, soul-jazz-styled romps akin to the quirky works of Galactic and Medeski, Martin & Wood. Delgado has a knack for combining Bill Frisell-type aural swells with Mississippi country blues, all of which makes Filactera an extremely well-balanced album. Trombonist Claus Nymark is featured heavily throughout, bringing a kind of New Orleans avant-church style to the tunes. Also exciting is tenor saxophonist Andrej Olejniczak's extended blow over the driving post-bop of "Armadilha Diabolica."