Pity Party
Download links and information about Pity Party by Mas Rapido!. This album was released in 2007 and it belongs to Rock, Indie Rock, Pop, Alternative genres. It contains 15 tracks with total duration of 39:42 minutes.
Artist: | Mas Rapido! |
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Release date: | 2007 |
Genre: | Rock, Indie Rock, Pop, Alternative |
Tracks: | 15 |
Duration: | 39:42 |
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Buy on iTunes $9.99 | |
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Tracks
[Edit]No. | Title | Length |
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1. | Emily Lloyd | 2:54 |
2. | Pity Party | 2:58 |
3. | Feel So Young | 3:04 |
4. | Headcase | 3:00 |
5. | Chasing Rainbows | 2:33 |
6. | Believe It | 2:22 |
7. | All I Ever Wanted | 3:05 |
8. | Girl Du Jour | 2:34 |
9. | It's Too Late | 2:38 |
10. | Queen of Mean | 2:31 |
11. | Beep Beep! | 1:57 |
12. | Misery Addict | 2:25 |
13. | Your Last Victory | 2:27 |
14. | Out of Control | 2:43 |
15. | Sorry | 2:31 |
Details
[Edit]Although Pity Party is only Mas Rapido!'s second album, the duo have been an integral part of the Parasol Records lineup from its earliest days: the duo of guitarist Donna Esposito and bassist Frank Bednash (both sing, usually on alternate songs) were originally known as Cowboy & Spingirl, and more recently, they released a pair of albums as Toothpaste 2000. So Mas Rapido! makes their third lousy and incomprehensible band name in a row, which may well be some sort of record. Pity about the name, particularly since Pity Party is easily the duo's most consistently listenable album. Kicking off with the sterling "Emily Lloyd," a playful tribute to the British actress and her film Breaking the Waves set to a twangy power pop tune, Pity Party has greater melodic heft and richer arrangements than most of their earlier albums. However, Mas Rapido! have the same fundamental problem that afflicted both Cowboy & Spingirl and Toothpaste 2000: Esposito is simply a much better singer than Bednash, with an absolutely terrific voice that easily swings from the hazy neo-psych melodrama of the title track to the one-woman girl group harmonies of the Blondie-like "Headcase" to the strummy-strummy twee indie pop of "Believe It." Bednash's showcases are better than ever before, but his anodyne voice and fondness for catchy but colorless power pop is still consistently less interesting than Esposito's more varied and appealing tunes.