Ain't No Other
Download links and information about Ain't No Other by MC Lyte. This album was released in 1993 and it belongs to Electronica, House, Hip Hop/R&B, Rap, Dancefloor, Dance Pop genres. It contains 17 tracks with total duration of 01:00:06 minutes.
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| Artist: | MC Lyte |
| Release date: | 1993 |
| Genre: | Electronica, House, Hip Hop/R&B, Rap, Dancefloor, Dance Pop |
| Tracks: | 17 |
| Duration: | 01:00:06 |
| Buy it NOW at: | |
| Buy on iTunes $10.99 | |
| Buy on Amazon $10.49 | |
| Buy on Songswave €1.69 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Intro (Side One) | 0:19 |
| 2. | Brooklyn | 4:03 |
| 3. | Ruffneck | 3:57 |
| 4. | What's My Name Yo | 3:38 |
| 5. | Lil Paul | 3:26 |
| 6. | Ain't No Other | 3:36 |
| 7. | Hard Copy | 2:30 |
| 8. | F**k That M***********g B******t | 3:17 |
| 9. | Intro (Side Two) | 0:05 |
| 10. | I Go On | 4:47 |
| 11. | One Nine Nine Three | 3:27 |
| 12. | Never Heard Nothin' Like This | 3:06 |
| 13. | Can I Get Some Dap | 3:33 |
| 14. | Let Me Adem | 3:22 |
| 15. | Steady F*****g | 5:08 |
| 16. | Who's House | 4:49 |
| 17. | I Cram to Understand U (Explicit Remix Version - 1990) | 7:03 |
Details
[Edit]After the pop-rap concessions of Act Like You Know, MC Lyte left Atlantic and returned to the sound of pure street rap on 1993’s Ain’t No Other. She sounded so incensed on the leadoff single, “Ruffneck,” that many fans couldn’t help but feel that the album represented the joyous release of long-repressed rage. Just as Lyte had fit in easily among late-'80s emcees like Rakim, Biz Markie, and Big Daddy Kane, she fit easily within the new generation of jazz-inflected street rap heralded by Pete Rock & CL Smooth, Main Source, and Redman. She completely sinks her teeth into every track on this album, from “Brooklyn” to “Ain’t No Other” and even the slowed-down “I Go On.” In a year when Dr. Dre and Snoop Dogg were under a storm of criticism for their use of the word “bitch,” Lyte jumped into the fray and completely upended the gender conversation with songs like “F**k That Motherf**king Bitch” and “Steady F**king.” She came on stronger than almost any other rapper alive. Even extemporizations like “Hard Copy” and “Who’s House” turned out to be some of the album’s best tracks, simply for their spontaneous energy.