Mel Tormé Swings Shubert Alley / Mel Torme Swings Shubert Alley
Download links and information about Mel Tormé Swings Shubert Alley / Mel Torme Swings Shubert Alley by Mel Tormé / Mel Torme. This album was released in 1960 and it belongs to Jazz, Vocal Jazz, Pop, Theatre/Soundtrack, Classical, Easy Listening genres. It contains 12 tracks with total duration of 39:09 minutes.
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| Artist: | Mel Tormé / Mel Torme |
| Release date: | 1960 |
| Genre: | Jazz, Vocal Jazz, Pop, Theatre/Soundtrack, Classical, Easy Listening |
| Tracks: | 12 |
| Duration: | 39:09 |
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| Buy on Amazon $34.62 | |
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| Buy on iTunes $7.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Too Close for Comfort (featuring The Marty Paich Orchestra) | 4:04 |
| 2. | Once In Love With Amy (featuring The Marty Paich Orchestra) | 3:13 |
| 3. | A Sleepin Bee (featuring The Marty Paich Orchestra) | 3:35 |
| 4. | On the Street Where You Live (featuring The Marty Paich Orchestra) | 2:55 |
| 5. | All I Need Is a Girl (featuring The Marty Paich Orchestra) | 3:06 |
| 6. | Just In Time (featuring The Marty Paich Orchestra) | 3:29 |
| 7. | Hello Young Lovers (featuring The Marty Paich Orchestra) | 3:09 |
| 8. | Surrey With the Fringe On Top (featuring The Marty Paich Orchestra) | 3:00 |
| 9. | Old Devil Moon (featuring The Marty Paich Orchestra) | 2:47 |
| 10. | Whatever Lola Wants (featuring The Marty Paich Orchestra) | 3:22 |
| 11. | Too Darn Hot (featuring The Marty Paich Orchestra) | 2:47 |
| 12. | Lonely Town (featuring The Marty Paich Orchestra) | 3:42 |
Details
[Edit]
The title of this 1960 album says it all: The Velvet Fog sings jazz interpretations of songs from the heart of Manhattan’s theatrical district. Tormé's instantly recognizable voice is at ease with these Broadway tunes written between 1943 and 1959. Interacting with the agile and responsive Marty Paich Orchestra, he offers a smooth take on “A Sleepin’ Bee” and a suave interpretation of “Just in Time.” With his gravitas, Oklahoma's “Surrey with the Fringe on Top” sounds surprisingly sophisticated, while his refined instrument resembles a wailing alto saxophone during On the Town's “Lonely Town.” An energetic version of “On the Street Where You Live” (with the band hiply quoting both “I’m Beginning to See the Light” and “Old Man River”) is highly recommended.