Crank: High Voltage (Original Motion Picture Soundtrack)
Download links and information about Crank: High Voltage (Original Motion Picture Soundtrack) by Mike Patton. This album was released in 2009 and it belongs to Theatre/Soundtrack genres. It contains 32 tracks with total duration of 54:43 minutes.
Artist: | Mike Patton |
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Release date: | 2009 |
Genre: | Theatre/Soundtrack |
Tracks: | 32 |
Duration: | 54:43 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Kickin' | 1:32 |
2. | Chelios | 2:34 |
3. | Sweet Cream (Redux) (featuring Jel) | 2:35 |
4. | Organ Donor | 2:10 |
5. | Chickenscratch | 1:36 |
6. | Tourettes Romance | 1:29 |
7. | Doc Miles | 1:03 |
8. | El Huron | 2:02 |
9. | Tourettes Breakdance | 2:23 |
10. | Juice Me | 1:12 |
11. | Hallucination | 0:54 |
12. | Porn Strike | 1:01 |
13. | Surgery | 2:48 |
14. | Social Club | 1:30 |
15. | Chocolate Theme | 1:11 |
16. | Ball Torture | 0:51 |
17. | Chevzilla | 2:13 |
18. | The Hammer Drops | 2:13 |
19. | Triad Limo | 3:09 |
20. | Shock & Shootout | 2:44 |
21. | Pixelvision | 1:43 |
22. | Spring Loaded | 2:16 |
23. | Verona | 1:18 |
24. | Car Park Throwdown | 1:39 |
25. | Noticias | 0:15 |
26. | Catalina Island | 1:17 |
27. | Supercharged | 0:51 |
28. | Massage Parlor | 1:18 |
29. | Full Body Tourettes | 0:26 |
30. | Epilogue / In My Dreams | 4:15 |
31. | Friction | 0:56 |
32. | Epiphany | 1:19 |
Details
[Edit]The continuing adventure of Jason Statham’s scowling hitman Chev Chelios is another hyper-manic, cross-cultural fusion, not so much a shotgun wedding of Hong Kong action film flair and relentless Silicon Valley video game violence as it is a honeymoon in Hades. This surging, playfully inventive score by former Mr. Bungle/Faith No More mainstay Mike Patton not only paces the action, but occasionally deftly underplays it to good effect with dank, moody textures and a world-beat sensibility that occasionally verges on the satirical. Sparking with metallic edges, club beats, recycled funk rhythms and a grab-bag of nervous percussive-electronic samples, Patton’s score veers across genres with the reckless abandon of the film’s ticking time bomb of a protagonist. Less adventurous instincts might have yielded the typical contemporary electronica pastiche, but the fledgling composer (this is but his second full feature score) mostly avoids those clichés with a sometimes loopy sense of musical humor worthy of Les Claypool.