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Crank: High Voltage (Original Motion Picture Soundtrack)

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Download links and information about Crank: High Voltage (Original Motion Picture Soundtrack) by Mike Patton. This album was released in 2009 and it belongs to Theatre/Soundtrack genres. It contains 32 tracks with total duration of 54:43 minutes.

Artist: Mike Patton
Release date: 2009
Genre: Theatre/Soundtrack
Tracks: 32
Duration: 54:43
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Tracks

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No. Title Length
1. Kickin' 1:32
2. Chelios 2:34
3. Sweet Cream (Redux) (featuring Jel) 2:35
4. Organ Donor 2:10
5. Chickenscratch 1:36
6. Tourettes Romance 1:29
7. Doc Miles 1:03
8. El Huron 2:02
9. Tourettes Breakdance 2:23
10. Juice Me 1:12
11. Hallucination 0:54
12. Porn Strike 1:01
13. Surgery 2:48
14. Social Club 1:30
15. Chocolate Theme 1:11
16. Ball Torture 0:51
17. Chevzilla 2:13
18. The Hammer Drops 2:13
19. Triad Limo 3:09
20. Shock & Shootout 2:44
21. Pixelvision 1:43
22. Spring Loaded 2:16
23. Verona 1:18
24. Car Park Throwdown 1:39
25. Noticias 0:15
26. Catalina Island 1:17
27. Supercharged 0:51
28. Massage Parlor 1:18
29. Full Body Tourettes 0:26
30. Epilogue / In My Dreams 4:15
31. Friction 0:56
32. Epiphany 1:19

Details

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The continuing adventure of Jason Statham’s scowling hitman Chev Chelios is another hyper-manic, cross-cultural fusion, not so much a shotgun wedding of Hong Kong action film flair and relentless Silicon Valley video game violence as it is a honeymoon in Hades. This surging, playfully inventive score by former Mr. Bungle/Faith No More mainstay Mike Patton not only paces the action, but occasionally deftly underplays it to good effect with dank, moody textures and a world-beat sensibility that occasionally verges on the satirical. Sparking with metallic edges, club beats, recycled funk rhythms and a grab-bag of nervous percussive-electronic samples, Patton’s score veers across genres with the reckless abandon of the film’s ticking time bomb of a protagonist. Less adventurous instincts might have yielded the typical contemporary electronica pastiche, but the fledgling composer (this is but his second full feature score) mostly avoids those clichés with a sometimes loopy sense of musical humor worthy of Les Claypool.