A Wrenched Virile Lore
Download links and information about A Wrenched Virile Lore by Mogwai. This album was released in 2012 and it belongs to Electronica, Rock, Indie Rock, Alternative genres. It contains 10 tracks with total duration of 01:05:11 minutes.
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| Artist: | Mogwai |
| Release date: | 2012 |
| Genre: | Electronica, Rock, Indie Rock, Alternative |
| Tracks: | 10 |
| Duration: | 01:05:11 |
| Buy it NOW at: | |
| Buy on iTunes $8.99 | |
| Buy on Amazon $8.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | George Square Thatcher Death Party (Justin K Broadrick Reshape) | 5:06 |
| 2. | Rano Pano (Klad Hest - Mogwai Is My Dick RMX) | 7:20 |
| 3. | White Noise (EVP Mix By Cyclob) | 5:12 |
| 4. | How to Be a Werewolf (Xander Harris Remix) | 6:52 |
| 5. | Letters to the Metro (Zombi Remix) | 7:21 |
| 6. | Mexican Grand Prix (Reworked By RM Hubbert) | 4:34 |
| 7. | Rano Pano (Tim Hecker Remix) | 4:44 |
| 8. | San Pedro (The Soft Moon Remix) | 3:51 |
| 9. | Too Raging to Cheers (Umberto Remix) | 6:29 |
| 10. | La mort blanche (Robert Hampson Remix) | 13:42 |
Details
[Edit]Anyone who fell in love with Kicking a Dead Pig: Mogwai Songs Remixed + Fear Satan Remixes—Mogwai’s 1998 collection of reworked material—is in for an aural treat with 2012’s A Wrenched Virile Lore. Here, the Scottish post-rock serves up 10 tracks from its 2011 album Hardcore Will Never Die, but You Will, demolished and reconstructed by a grip of Mogwai's favorite studio wizards. Godflesh's Justin K. Broadrick has the first go at it with “George Square Thatcher Death Party,” which plays like Broadrick pumped the tune through his Jesu post-metal filter while exaggerating the guitars and drums. Under the pseudonym Klad Hest, Beak’s Mike Loveridge gives “Rano Pano” skittering synth tones, sputtering beats, and loads of vintage 8-bit chiptune textures reminiscent of NES soundtracks. Similarly, Xander Harris’ remix of “How to Be a Werewolf” is embellished with an '80s sci-fi soundscape while keeping Mogwai’s penchant for serene scenes perfectly intact. RM Hubbert takes “Mexican Grand Prix” from its colossal origins to a hushed acoustic masterpiece akin to James Blackshaw.