Ninja Tuna With Bonus Bait
Download links and information about Ninja Tuna With Bonus Bait by Mr. Scruff. This album was released in 2009 and it belongs to Breakbeat , Electronica, Techno, Jazz, Dancefloor, Dance Pop, Bop genres. It contains 23 tracks with total duration of 02:02:00 minutes.
Artist: | Mr. Scruff |
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Release date: | 2009 |
Genre: | Breakbeat , Electronica, Techno, Jazz, Dancefloor, Dance Pop, Bop |
Tracks: | 23 |
Duration: | 02:02:00 |
Buy it NOW at: | |
Buy on iTunes $9.99 |
Tracks
[Edit]No. | Title | Length |
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1. | Test the Sound | 1:40 |
2. | Music Takes Me Up (feat. Alice Russell) | 5:28 |
3. | Donkey Ride | 5:14 |
4. | Hairy Bumpercress | 6:31 |
5. | Whiplash | 6:01 |
6. | Nice Up the Function (feat. Roots Manuva) | 3:55 |
7. | Bang the Floor (feat. Danny Breaks) | 3:43 |
8. | Get On Down | 5:54 |
9. | Hold On (feat. Andreya Triana) | 5:03 |
10. | Give Up To Get | 6:45 |
11. | Kalimba | 5:51 |
12. | This Way (feat. Pete Simpson) | 5:32 |
13. | Stockport Carnival | 5:29 |
14. | Bunch of Keys | 10:26 |
15. | Rocking Chair | 5:58 |
16. | Listen Up (feat. Broken English) | 3:28 |
17. | Fix That Speaker | 4:53 |
18. | Giant Pickle | 4:27 |
19. | Hold the Dub | 4:15 |
20. | Cat & Mouse (Version 2) | 7:11 |
21. | The Clock | 5:10 |
22. | Zen (feat. Inja & Skuff) | 3:54 |
23. | Cat & Mouse | 5:12 |
Details
[Edit]Andy Carthy's Mr. Scruff project is that rare beast in trip-hop and breakbeat circles — an act who's enjoyed plenty of commercial success (relatively speaking), but still hasn't worn out his welcome. Ninja Tuna comes after a long break in production records, although Carthy kept his name current with great mix albums and popular commercials for Lincoln and Volvo. The album begins normally enough for a trip-hop record, with several different genre exercises and some intriguing guest features (Alice Russell, Quantic, Roots Manuva) — nothing that hasn't been seen from a dozen different breakbeat producers of the '90s or 2000s. But Scruff has a different endpoint in mind, and Ninja Tuna gradually evolves into a pleasant grind of house and funk that relaxes the affair and makes for a surprisingly subtle listen (especially compared to the dynamic first half of the record). Late in the program, "Give Up to Get" reveals itself as the highlight, a mellow slice of jazz-house that would be welcomed by any Theo Parrish fan looking for more in the after-hours funk vein.