Lost and Damaged
Download links and information about Lost and Damaged by Nacht Plank. This album was released in 2003 and it belongs to Electronica genres. It contains 14 tracks with total duration of 01:10:45 minutes.
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| Artist: | Nacht Plank |
| Release date: | 2003 |
| Genre: | Electronica |
| Tracks: | 14 |
| Duration: | 01:10:45 |
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| Buy on iTunes $9.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Carhaix (Xela Mix) | 4:31 |
| 2. | Carhaix Bayside (Needle Mix) | 5:13 |
| 3. | Carhaix (Greg Davies Mix) | 7:50 |
| 4. | Troarn (Verbose Mix) | 4:43 |
| 5. | Nonant (Purusha Mix) | 3:09 |
| 6. | Troarn (Quench Mix) | 6:39 |
| 7. | Troarn (Ooi Mix) | 1:05 |
| 8. | Carhaix (Sleepy Falcon Mix) | 6:04 |
| 9. | Carhaix 64 (Alvoa Mix) | 4:17 |
| 10. | Nonant (Andreas Tilliander Mix) | 5:35 |
| 11. | Troarn (Freiband Mix | 3:50 |
| 12. | Knotwould (LGB Mix) | 4:30 |
| 13. | Troarn (Mati:K Mix) | 7:41 |
| 14. | Troarn (Aeiou Mix) | 5:38 |
Details
[Edit]This, the concluding component of a trilogy of remix albums released by Lee Norris, is also the most rewarding. Having had his Metamatics and Norken projects rewired and remodeled respectively, he closed this triumvirate of three quite different musical personalities with the drifting ambient leanings favored by his Nacht Plank moniker. Like its predecessors, the contributors to Lost and Damaged came onboard through exchanges between Norris and his potential remixers via the chat function of his NeoOuija website, though operated with a slightly different modus operandi in its offering to these producers samples from previously unreleased material, lifted from the Septs-Vent full-length, scheduled for an Autumn 2003 release through the Type label. Despite having enlisted 13 different artists to work on only four separate tracks, the resultant album is remarkably cohesive and diverse, hints of percussion lost in catacombs of red-eyed atmospherics forged from warm keys and the occasional flutter of steel guitar — the quiet hum of studio machinery the only clue to the synthetic nature of the music.