Say Something Nasty
Download links and information about Say Something Nasty by Nashville Pussy. This album was released in 2002 and it belongs to Rock, Hard Rock, Rock & Roll, Metal, Heavy Metal, Alternative genres. It contains 15 tracks with total duration of 44:07 minutes.
Artist: | Nashville Pussy |
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Release date: | 2002 |
Genre: | Rock, Hard Rock, Rock & Roll, Metal, Heavy Metal, Alternative |
Tracks: | 15 |
Duration: | 44:07 |
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Buy on iTunes $9.99 | |
Buy on Amazon $6.99 | |
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Tracks
[Edit]No. | Title | Length |
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1. | Words of Wisdom | 0:23 |
2. | Say Something Nasty | 4:54 |
3. | Gonna Hitchhike Down to Cincinnati and Kick the S**t Outta Your Drunk Daddy | 3:06 |
4. | You Give Drugs a Bad Name | 3:18 |
5. | The Bitch Just Kicked Me Out | 2:23 |
6. | Keep On F****n' | 4:41 |
7. | Jack Shack | 2:37 |
8. | Keep Them Things Away from Me | 3:15 |
9. | Here's to Your Destruction | 3:45 |
10. | Let's Get the Hell Outta Here | 2:53 |
11. | Slow Movin' Train | 2:58 |
12. | Beat Me Senseless | 1:55 |
13. | Can't Get Rid of It | 2:49 |
14. | Rock 'n' Roll Hoochie Coo | 3:26 |
15. | Outro | 1:44 |
Details
[Edit]Five years into their career, Nashville Pussy are showing no signs of maturing — which is great news for the fans. Say Something Nasty is cut from the same cloth as its two predecessors, fusing garage-style AC/DC boogie with a gleefully unrepentant embrace of white-trash decadence. Although most of the songs are little more than a place to hang gimmicky catch phrases like "You Give Drugs a Bad Name" and "Keep on F*****g," the entire Nashville Pussy package, taken as a whole, is satisfying just the same. Lead guitarist Ruyter Suys emerges as the group's secret weapon here — her Angus Young-style fretboard scrabbling raises the excitement level considerably — while the absence of original bassist Corey Parks is virtually unnoticeable on record (her physical presence and on-stage antics were Parks' most memorable contributions to the band). Amidst all the decidedly unmelodic noisemaking, "Here's to Your Destruction" — smartly placed in the middle of the record — provides a refreshing change of pace, featuring a heavy-handed take on Lynyrd Skynyrd-style Southern boogie. Gloriously dumb fun.