Classic Film Scores: Gone With the Wind
Download links and information about Classic Film Scores: Gone With the Wind by National Philharmonic Orchestra, Charles Gerhardt. This album was released in 1973 and it belongs to Theatre/Soundtrack genres. It contains 11 tracks with total duration of 43:25 minutes.
Artist: | National Philharmonic Orchestra, Charles Gerhardt |
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Release date: | 1973 |
Genre: | Theatre/Soundtrack |
Tracks: | 11 |
Duration: | 43:25 |
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Tracks
[Edit]No. | Title | Length |
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1. | Main Title: Dixie, Mammy, Tara, Rhett (From "Gone With the Wind") | 3:04 |
2. | Opening Sequence: The Twins, Katie Bell, Ashley, Mammy (From "Gone With the Wind") | 2:13 |
3. | Driving Home, Gerald O'Hara, Scarlett, Tara (From "Gone With the Wind") | 2:48 |
4. | Dance Montage: Charleston Heel and Toe Polka, Southern Belle Waltz, Can Can (From "Gone With the Wind") | 3:25 |
5. | Grazioso, Mammy, Ashley, Ashley and Scarlett, Scarlett, Ashley and Melanie Love Theme (From "Gone With the Wind") | 5:00 |
6. | Civil War, Fall of the South, Scarlett Walks Among the Wounded (From "Gone With the Wind") | 5:21 |
7. | True Love, Ashley Returns to Tara from the War, Tara in Ruins (From "Gone With the Wind") | 3:15 |
8. | Belle Watling (From "Gone With the Wind") | 2:23 |
9. | Reconstruction, The Nightmare, Tara Rebuilt, Bonnie, The Accident (From "Gone With the Wind") | 6:41 |
10. | Mammy and Melanie On the Staircase, Rhett's Sorrow (From "Gone With the Wind") | 2:53 |
11. | Apotheosis: Melanie's Death, Scarlett and Rhett, Tara (From "Gone With the Wind") | 6:22 |
Details
[Edit]This is one of several albums in the RCA-BMG Classic Film Scores series that were hooked around stars and their screen personae, rather than grouped around the work of a particular composer. As Bette Davis' prime years were spent at Warner Bros., Max Steiner was closely involved with virtually all of her important films, and he is the principal composer represented here, with some additional contributions from Erich Wolfgang Korngold and Franz Waxman. In keeping with its focus, this collection is mostly comprised of brief excerpts, as the material at hand emphasizes memorable themes rather than larger, sweeping musical arcs — Dark Victory is an exception, represented with over six minutes of music filled with an enveloping 19th century romanticism; All This and Heaven Too is, similarly, proportioned and overpowering next to the surrounding pieces. Perhaps the most startling moment on this CD, however, is one of the shorter pieces, the excerpt from A Stolen Life; Steiner often stole from himself, but the main title theme here was used virtually note-for-note by him as the "Pine Island Theme" from A Summer Place 15 years later. Korngold fans may well wish to skip this disc, rather than bother about the less than two minutes of his score for The Private Lives of Elizabeth and Essex included here. The playing is impeccable and the sound has held up reasonably well, though this CD could use a fresh remastering to bring out the playing in the quieter passages. And the annotation by Tony Thomas still holds up three decades later.