Charleston Mad
Download links and information about Charleston Mad by Neville Dickie. This album was released in 1998 and it belongs to Jazz genres. It contains 23 tracks with total duration of 01:16:50 minutes.
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| Artist: | Neville Dickie |
| Release date: | 1998 |
| Genre: | Jazz |
| Tracks: | 23 |
| Duration: | 01:16:50 |
| Buy it NOW at: | |
| Buy on iTunes $9.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Guess Who's in Town | 2:49 |
| 2. | He Used to Be Your Man but He's My Man Now | 3:49 |
| 3. | I Ain't Gonna Give Nobody None of This Jelly-Roll | 3:11 |
| 4. | Cheatin' on Me | 3:29 |
| 5. | If You Can't Hold the Man You Love, Don't Cry When He's Gone | 3:30 |
| 6. | I Don't Know and I Don't Care Blues | 4:23 |
| 7. | Don't Let Your Love Come Down | 3:29 |
| 8. | Hey! Hey! And Hee! Hee! (I'm Charlestown Crazy) | 2:27 |
| 9. | Nobody but My Baby Is Getting My Love | 3:29 |
| 10. | Mean Daddy Blues | 3:07 |
| 11. | Charleston Mad | 3:41 |
| 12. | Jersey Walk (Shake 'Em up Kid) | 2:50 |
| 13. | That Thing Called Love | 3:45 |
| 14. | I Wanna Jazz Some More | 3:31 |
| 15. | Original Charleston Strut | 2:35 |
| 16. | That da da Strain | 2:48 |
| 17. | I Need You to Drive My Blues Away | 4:03 |
| 18. | Brand New Charleston | 3:06 |
| 19. | Pleasure Mad | 2:51 |
| 20. | Early Every Morn' (I Want Some Lovin') | 3:26 |
| 21. | My Old Daddy's Got a Brand New Way to Love | 3:24 |
| 22. | Kiss Me Sweet | 3:38 |
| 23. | Charleston Hound | 3:29 |
Details
[Edit]Neville Dickie is one of the great stride pianists to emerge since 1980. A brilliant player from Great Britain, Dickie can play complex novelty ragtime pieces from the 1920s flawlessly, making it all sound easy. On this set he performs 13 unaccompanied solos and seven pieces on which he is joined by Martin Wheatley on banjo. Wheatley switches to guitar on two other songs and plays steel guitar on "Pleasure Mad." The only fault to the set is that Dickie sounds so relaxed in spots as to almost be emulating a player piano. The lack of variety in emotions is a minor flaw, but one supposes that being too perfect is not a valid criticism. Dickie revives a variety of pieces from the 1920s and turns everything into hot, if effortless, stride, making this a set easily recommended to fans of 1920s piano.