Times Go by Turns
Download links and information about Times Go by Turns by New York Polyphony. This album was released in 2013 and it belongs to genres. It contains 17 tracks with total duration of 01:17:52 minutes.
Artist: | New York Polyphony |
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Release date: | 2013 |
Genre: | |
Tracks: | 17 |
Duration: | 01:17:52 |
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Tracks
[Edit]No. | Title | Length |
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1. | Mass a 4: I. Kyrie eleison | 1:55 |
2. | Mass a 4: II. Gloria | 5:38 |
3. | Mass a 4: III. Credo in unum Deum | 7:39 |
4. | Mass a 4: IV. Sanctus - Benedictus | 3:31 |
5. | Mass a 4: V. Agnus Dei | 3:04 |
6. | A Colloquy with God | 3:36 |
7. | Missa sine nomine: I. Kyrie omnipotens Pater | 5:00 |
8. | Missa sine nomine: II. Gloria in excelsis Deo | 4:52 |
9. | Missa sine nomine: III. Credo in unum Deum | 5:17 |
10. | Missa sine nomine: IV. Sanctus - Benedictus | 5:40 |
11. | Missa sine nomine: V. Agnus Dei | 5:10 |
12. | Kyrie IV: Cunctipotens genitor Deus | 3:44 |
13. | Mass for 4 Voices: I. Gloria in excelsis Deo | 4:58 |
14. | Mass for 4 Voices: II. Credo in unum Deum | 5:43 |
15. | Mass for 4 Voices: III. Sanctus - Benedictus | 5:23 |
16. | Mass for 4 Voices: V. Agnus Dei | 3:41 |
17. | Ite miss est | 3:01 |
Details
[Edit]Coming off of endBeginning, which explored the compositions of the Franco-Flemish Renaissance, the vocal quartet New York Polyphony turns its attention to works by English Renaissance composers on this GRAMMY®-nominated follow-up. The album focuses on masses by 16th-century musical titans Thomas Tallis (Mass for 4 Voices) and William Byrd (Mass a 4), but the foursome reach further back with 15th-century composer John Plummer's Missa sine nomine, not to mention mixing things up with the inclusion of three bespoke contemporary pieces. New York Polyphony's fluidity is instantly apparent, whether the group's voices are falling artfully together to accentuate the beauty of Tallis's famous legato phrases or bouncing gamely off of each other to bring out the dynamic rhythms of Gabriel Jackson's Ite miss est. Whichever way they roam on Times Go by Turns, the quartet consistently sounds more like a single voice with multiple tonalities than a convocation of four separate singers.