|
No. |
Title |
Length |
| 1. |
Introduction |
0:08 |
| 2. |
Slavonic Dances, Op. 72, B. 147 (Version For Orchestra) - No. 1 In B Major (Excerpt) |
1:16 |
| 3. |
Bits And Pieces Are All We May Know About The Music Of Antonín Dvořák |
4:04 |
| 4. |
10 Biblical Songs, Op. 99, B. 185- No. 4, Hospodin Jest Můj Pastýř (Excerpt) |
1:32 |
| 5. |
The Fourth Of Dvořák's Ten Biblical Songs, Titled -The Lord Is My Shepherd- And Set To A Well-Known |
2:57 |
| 6. |
10 Biblical Songs, Op. 99, B. 185- No. 6, Slyš, Ó Bože, Volání Mé (Excerpt) |
0:57 |
| 7. |
Antonín Leopold Dvořák Was Born On 8 September 1841 In The Village Of Nelahozeves, Near Kralupy, In |
2:48 |
| 8. |
Symphony No. 6 In G Major, Op. 116 -Historische Symphonie Im Styl Und Geschmack Vier Verschiedener Z |
0:38 |
| 9. |
Reflecting On This Period Of The Composer's Life, Zubatý (The Czech Writer Mentioned Previously) Wro |
2:31 |
| 10. |
Symphony No. 1 In C Minor, B. 9 -The Bells Of Zlonice - II. Adagio Molto (Excerpt) |
0:49 |
| 11. |
Dvořák's First Symphony, Composed Between February And March 1865, Began Life As A Submission To A G |
1:34 |
| 12. |
Symphony No. 1 In C Minor, B. 9 -The Bells Of Zlonice - I. Maestoso - Allegro (Excerpt) |
1:48 |
| 13. |
In Early 1865, Dvořák Started Teaching Piano To The Daughters Of A Prague Goldsmith- One Of The Two, |
1:24 |
| 14. |
String Quartet No. 4 In E Minor, B. 19- I. Assai Con Moto Ed Energico (Excerpt) |
1:04 |
| 15. |
Before He Left The Provisional Theatre Orchestra In The Summer Of 1871, Dvořák Was The Subject Of An |
3:57 |
| 16. |
Král A Uhlíř, B. 21, Act I Scene 9- Jaký Zvuk To Jest- (Excerpt) |
0:42 |
| 17. |
It Seems That Dvořák's Revision Of The Opera Between 1873 And 1874 Was But Part Of A Larger Stylisti' |
2:06 |
| 18. |
Moravské Dvojzpěvy, Op. 32, B. 62- No. 2, Veleť Vtáčku (Excerpt) |
0:45 |
| 19. |
In Response To Dvořák's Multi-Composition Submission For The 1877 Stipendium, Brahms Singled Out The |
2:16 |
| 20. |
Slavonic Dances, Op. 46, B. 83- No. 1 In C Major (Excerpt) |
0:54 |
| 21. |
While This Style Of Music Might Be Regarded, Somewhat Cynically, As A Kind Of Opportunistic -Tourist |
2:47 |
| 22. |
Piano Trio No. 3 In F Minor, Op. 65, B. 130- I. Allegro Ma Non Troppo (Excerpt) |
0:58 |
| 23. |
In August 1883, Dvořák Received A Prestigious Invitation- The London Philharmonic Society Requested |
1:22 |
| 24. |
Stabat Mater, Op. 58, B. 71 (1876 Version) - Stabat Mater Dolorosa (Excerpt) |
0:53 |
| 25. |
Dvořák Left Prague For London On 5 March 1884- Eight Days Later He Was Conducting The Stabat Mater I' |
3:13 |
| 26. |
Piano Trio No. 4 In E Minor, Op. 90, B. 166 -Dumky - I. Lento Maestoso - Allegro Vivace, Quasi Doppi' |
2:00 |
| 27. |
In 1891, The Same Year Dvořák Completed The -Dumky- Trio, He Took Up The Position Of Professor Of Co |
3:20 |
| 28. |
Te Deum, Op. 103, B. 176- Te Deum Laudamus (Excerpt) |
1:32 |
| 29. |
The Premiere Of The Te Deum Within The Celebratory Concert, Which Took Place On 21 October 1892 At N |
3:11 |
| 30. |
Symphony No. 9 In E Minor, Op. 95, B. 178 -From The New World - III. Scherzo. Molto Vivace (Excerpt) |
1:28 |
| 31. |
Following The Premiere Of His Ninth Symphony, Dvořák May Well Have Looked Forward To A Prosperous An |
3:37 |
| 32. |
Cello Concerto In B Minor, Op. 104, B. 191- III. Finale. Andante - Allegro Vivo (Excerpt) |
1:14 |
| 33. |
The Next - And, Indeed, The Penultimate - Phase In Dvořák's Compositional Journey Seems To Have Emer |
2:59 |
| 34. |
The Water Goblin, Op. 107, B. 195 (Excerpt) |
1:38 |
| 35. |
During His Final Years, Dvořák Became The Recipient Of Various Honours… |
3:50 |
| 36. |
Armida, Op. 115, B. 206, Act I Scene 1- Jak Z Dervišových Prstů Řinou (Excerpt) |
1:40 |
| 37. |
Dvořák Is Said To Have Departed The Theatre Early On The Evening Of 25 March 1904, During The Premie |
2:33 |
| 38. |
Hymnus Ad Laudes In Festo Sanctae Trinitatis, B. 82 (Excerpt) |
1:07 |
