Nigeria 70 - Lagos Jump
Download links and information about Nigeria 70 - Lagos Jump. This album was released in 2008 and it belongs to Hip Hop/R&B, Soul, World Music, Funk genres. It contains 16 tracks with total duration of 01:17:23 minutes.
Release date: | 2008 |
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Genre: | Hip Hop/R&B, Soul, World Music, Funk |
Tracks: | 16 |
Duration: | 01:17:23 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Yabis (Sir Shina Peters) | 6:58 |
2. | Everybody Likes Something Good (Ify Jerry Crusade) | 3:26 |
3. | Ezuku Buzo (Bola Johnson & His Easy Life Top Beats) | 2:56 |
4. | Onyame (Ashanti Afrika Jah) | 4:56 |
5. | Aiye Le (Olufemi Ajasa & His New Nigerian Bros) | 3:05 |
6. | Eddie Quansa (Peacocks Guiter Band) | 4:25 |
7. | African Dialects (Peter King) | 4:56 |
8. | Igbehin Lalayo Nta (Dynamic Africana) | 6:49 |
9. | Africa Irie (Chief Checker) | 5:42 |
10. | Tete Muo Bu Muo (Tony Tete Harbor & The Star Heaters of Nigeria) | 5:12 |
11. | Tug of War (The Faces) | 4:19 |
12. | Wetin de Watch Goat, Goat Dey Wat (Eric (Showboy) Akaeze & His Royal Ericos) | 10:09 |
13. | Hot Tears (The Immortals) | 2:49 |
14. | You Are My Heart (Rex Williams) | 3:13 |
15. | Dododo (Ekassa No. 1) (Victor Uwaifo) | 5:20 |
16. | Happy Survival (Eddie Okwedy) | 3:08 |
Details
[Edit]Nigeria 70 is a gargantuan triple-disc set that stunned listeners the world over by revealing the heretofore-unsuspected musical diversity of Lagos in the ‘70s. Nigeria 70 helped Western listeners discover a funky and eccentric world of lesser known talents. Nigeria 70 - Lagos Jump is a sort of sequel to that first trendsetting collection. Though Lagos Jump forgoes the eclectic sprawl of its predecessor to focus almost exclusively on tightly wound American influenced Afro-Funk. “Everybody Likes Something Good” by slickly named Ify Jerry Crusade combines the grandiose theatricality of an Ennio Morricone score with Fela Kuti, while the relaxed palm-wine guitar stylings of the Peacocks Guitar Band offers a brief reprieve from the percussive assault of the rest of the album, focusing instead on snaky guitar lines and delicate finger-picking. Though rare afro-beat compilations have become more numerous since Strut records began in 2001, few are as compelling as this impeccable new offering.