FINAL FANTASY VIII - Fithos Lusec Wecos Vinosec (Original Soundtrack)
Download links and information about FINAL FANTASY VIII - Fithos Lusec Wecos Vinosec (Original Soundtrack) by Nobuo Uematsu (植松伸夫) / Nobuo Uematsu (zhi song shen fu). This album was released in 1999 and it belongs to Theatre/Soundtrack genres. It contains 12 tracks with total duration of 53:45 minutes.
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| Artist: | Nobuo Uematsu (植松伸夫) / Nobuo Uematsu (zhi song shen fu) |
| Release date: | 1999 |
| Genre: | Theatre/Soundtrack |
| Tracks: | 12 |
| Duration: | 53:45 |
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Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Liberi Fatali | 3:08 |
| 2. | Blue Fields | 3:37 |
| 3. | Don't Be Afraid | 3:49 |
| 4. | Balamb Garden-Ami | 5:16 |
| 5. | Fisherman's Horizon | 4:02 |
| 6. | Fithos Lusec Wecos Vinosec | 4:38 |
| 7. | The Man With the Mashine Gun | 3:36 |
| 8. | Dance With the Balamb-Fish (featuring Shiro Hamaguchi) | 3:16 |
| 9. | Love Grows | 4:35 |
| 10. | The Oath | 5:10 |
| 11. | Ending Theme | 8:33 |
| 12. | Fragments of Memories | 4:05 |
Details
[Edit]Twelve tracks from the Final Fantasy, Vol. 8 soundtrack are here performed by a full orchestra under the guidance of Japanese composer Nobou Uematsu. Three versions of the hit single "Eyes on Me," sung by the talented Faye Wong, are present, as well as two renditions of "Fithos Lusec Wecos Vinosec," the inspiring intro song from the hugely successful Final Fantasy VIII. In all, a varied but fitting mix is featured. The choir that introduces the first track, "Fithos Lusec Wecos Vinosec," set the mood of the entire album perfectly; the dark feeling that encapsulates this release is achieved with aplomb throughout. "Eyes on Me," the most commercially successful Final Fantasy song ever, is featured on Final Fantasy, Vol. 8 in a number of different styles. The first is the original version, sung by Faye Wong, backed by the usual soft guitars, drums, and a tight melody. This is a pop song through and through. However, the meaningful lyrics and fine musicianship of the backing band create a song that appeals to all. The other renditions include a nine-minute orchestra-led version that retains the motivational vibe of the original. The ability of the orchestra is unquestionable, as is the quality of Uematsu's compositions. The two together make for an album of epic proportions.