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Old Ties

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Download links and information about Old Ties by Norman Blake. This album was released in 2002 and it belongs to Country genres. It contains 19 tracks with total duration of 01:09:59 minutes.

Artist: Norman Blake
Release date: 2002
Genre: Country
Tracks: 19
Duration: 01:09:59
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Buy on Songswave €1.99

Tracks

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No. Title Length
1. Spanish Fandango 3:47
2. Church St. Blues 2:53
3. Sleepy Eyed Joe / Indian Creek 3:36
4. O'Malley's Tune 2:28
5. Fifty Miles of Elbow Room (featuring Nancy Blake) 3:48
6. Down Home Summertime Blues 3:39
7. Blind Dog (featuring Nancy Blake) 2:53
8. Fiddler's Dram / Whiskey Before Breakfast 3:33
9. Old Ties 4:24
10. Lost Indian (featuring Tony Rice) 3:06
11. Ginseng Sullivan 3:29
12. Obc #3 (featuring Nancy Blake) 5:46
13. Prettiest Little Girl In the Country (featuring Nancy Blake) 2:15
14. Uncle 4:32
15. Bristol in the Bottle 2:03
16. Billy Gray (featuring Nancy Blake) 4:05
17. The Fields of November 4:05
18. Gonna Lay Down My Old Guitar 3:32
19. Randall Collins / Done Gone 6:05

Details

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Norman Blake will never be known as a revolutionary. His starkly honest guitar picking and gently lulling voice have sounded almost exactly the same for the 30-some years that the Rounder release Old Ties encompasses. Often performing solo, occasionally accompanied by his wife, Nancy, and any of a number of bluegrass and neo-traditional folk musicians (Tut Taylor, Charlie Collins, Doc Watson), Blake's summery, porch-swing ballads and blues are perfectly performed and humbly executed. Working with the traditional themes of old-timey folk music, Blake re-creates the earthy feel of a timeworn classic the first time a song emerges from his guitar, and his unpretentious, reverent style delivers the music in an intimate environment. The compilation sticks to his more traditional-sounding compositions and interpretations, making for a wonderful afternoon listen and the perfect introduction to Blake's uniquely faithful style. Although his musical offerings may never be seen as revolutionary, his unwillingness to change to a more contemporary mode of folk music may be a kind of revolution...if anyone wanted to argue about it. Luckily, with music this pure, no one does.