Herbert: Naughty Marietta
Download links and information about Herbert: Naughty Marietta by Ohio Light Opera & Steven Byess. This album was released in 2001 and it belongs to Opera genres. It contains 31 tracks with total duration of 01:48:48 minutes.
Artist: | Ohio Light Opera & Steven Byess |
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Release date: | 2001 |
Genre: | Opera |
Tracks: | 31 |
Duration: | 01:48:48 |
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Tracks
[Edit]No. | Title | Length |
---|---|---|
1. | Naughty Marietta: Act One: Overture | 8:03 |
2. | Naughty Marietta: Act One: Opening/Song/Chorus: Five O'clock | 7:53 |
3. | Naughty Marietta: Act One: Dialogue: Master Pique | 1:45 |
4. | Naughty Marietta: Act One: Song/Chorus: Dick: We've Hunted the Wolf | 3:27 |
5. | Naughty Marietta: Act One: Dialogue: Silas! Silas! to the Palace At Once! | 2:00 |
6. | Naughty Marietta: Act One: Chorus: Oh, Maiden Fair! | 1:55 |
7. | Naughty Marietta: Act One: Dialogue: Not a Man Has Noticedme | 5:26 |
8. | Naughty Marietta: Act One: Duet: Dick/Marietta: So Here's My Hand | 2:50 |
9. | Naughty Marietta: Act One: Dialogue: Ah, You Are Rudolfo | 3:27 |
10. | Naughty Marietta: Act One: Duet: Silas/Lizette: I Must Have Been | 3:07 |
11. | Naughty Marietta: Act One: Dialogue: Just As I Think My Work Is Over | 6:20 |
12. | Naughty Marietta: Act One: Song/Chorus: Marietta: Ah, My Heart Is Back | 2:29 |
13. | Naughty Marietta: Act One: Dialogue: Ah, Bravo, Rudolfo | 2:12 |
14. | Naughty Marietta: Act One: Finale: Tis She, the Casquette Girl | 4:33 |
15. | Naughty Marietta: Act Two: Opening: Torna Like Dat | 4:42 |
16. | Naughty Marietta: Act Two: Song: Etienne: Now Why Should a Man | 4:20 |
17. | Naughty Marietta: Act Two: Dialogue: So, You Are Here Again! | 0:29 |
18. | Naughty Marietta: Act Two: Song: Adah: Tell Me, Kindly Fortune | 3:38 |
19. | Naughty Marietta: Act Two: Dialogue: Adah! She Was Upset About Something | 2:42 |
20. | Naughty Marietta: Act Two: Intermezzo | 3:54 |
21. | Naughty Marietta: Act Two: Chorus: We're the Love of Old New Orleans | 4:21 |
22. | Naughty Marietta: Act Two: Dialogue: Is It Possible? | 0:43 |
23. | Naughty Marietta: Act Two: Song: Lizette: I Am a Maid | 2:32 |
24. | Naughty Marietta: Act Two: Dialogue: Somebody Loves You Now! | 2:19 |
25. | Naughty Marietta: Act Two: Ensemble: Would You Say to the Rose? | 5:16 |
26. | Naughty Marietta: Act Two: Dialogue: If This Woman Has Shown You | 3:19 |
27. | Naughty Marietta: Act Two: Duet: Dick/Marietta: I've a Very Strange Feeling | 4:00 |
28. | Naughty Marietta: Act Two: Dialogue: Say You Love Me, Captain | 2:03 |
29. | Naughty Marietta: Act Two: Song: Silas: King Solomon | 4:01 |
30. | Naughty Marietta: Act Two: Dialogue: Dear Me! | 2:03 |
31. | Naughty Marietta: Act Two: Finale: Ah, Sweet Mystery of Life | 2:59 |
Details
[Edit]This two-CD treatment of Victor Herbert's 1910 comic operetta Naughty Marietta produced by the Ohio Light Opera, the resident professional company of the College of Wooster, is billed as the first complete CD recording of the show that has been best known in modern times for the 1935 film starring Jeanette MacDonald and Nelson Eddy, though it has long-since moved from its Broadway beginnings into the opera house. Naughty Marietta is also remembered for its popular songs, including "Tramp! Tramp! Tramp!," "Italian Street Song," "I'm Falling in Love With Someone," and "Ah, Sweet Mystery of Life." The Ohio Light Opera recording embeds those and the show's other songs in an abridged version of the onstage production, complete with enough dialogue to follow the complicated plot. (The company's founder, James Stuart, reveals in a sleeve note that the full running time was "well under three hours," but the album runs well under two.) The setting is New Orleans, either in the mid-18th or early 19th centuries (it's not quite clear which), and the story involves an heiress on the run, a pirate, and other intriguing characters who engage in disguised identities while putting off the inevitable denouement when true love triumphs and evil is punished. Given that operetta is considered so moribund a form, the show plays surprisingly well, at least in part because of a director, Steven Daigle, who keeps things moving and a cast that gives the characters appropriately humorous portrayals while still soaring in the rangy musical numbers. As compared to a full-scale opera rendition, this one seems modestly staged, but it is probably closer to what the show sounded like on Broadway than most of the performances that have been heard since. (The live recording sometimes finds people far from the microphones, but everything is audible.)