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The Argo, Verve and Impulse Big Band Studio Sessions

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Download links and information about The Argo, Verve and Impulse Big Band Studio Sessions by Oliver Nelson. This album was released in 2006 and it belongs to Jazz genres. It contains 90 tracks with total duration of 06:40:22 minutes.

Artist: Oliver Nelson
Release date: 2006
Genre: Jazz
Tracks: 90
Duration: 06:40:22
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Tracks

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No. Title Length
1. Full Nelson 2:47
2. Skokiaan 1:54
3. Miss Fine 4:11
4. Majorca 3:06
5. Cool 4:55
6. Back Woods 3:32
7. Lila's Theme 3:55
8. Ballad for Benny 2:36
9. Hoe Down 2:50
10. Paris Blues 2:57
11. What Kind of Fool Am I 3:51
12. You Love But Once 4:31
13. Hobo Flats 4:12
14. Post No Bills 5:28
15. A Bientot 3:46
16. Three Plus One 3:23
17. Take Me With You 5:27
18. Daylie's Double 4:00
19. Teenie's Blues 4:07
20. Laz-ie Kate 4:01
21. St. Louis Blues (featuring Encyclopedia Of Jazz All-Stars) 6:10
22. I Remember Bird (featuring Encyclopedia Of Jazz All-Stars) 6:28
23. Ricardo's Dilemma 2:33
24. Patterns for Orchestra 3:13
25. The Sidewalks of New York (aka East Side, West Side) 6:30
26. Greensleeves 2:28
27. John Brown's Blues 3:22
28. Twelve Tone Blues (featuring Encyclopedia Of Jazz All-Stars) 3:06
29. A Typical Day In New York (featuring Jazz Interactions Orchestra) 4:45
30. The East Side / The West Side (featuring Jazz Interactions Orchestra) 4:12
31. 125th and Seventh Avenue (featuring Jazz Interactions Orchestra) 6:38
32. A Penthouse Dawn (featuring Jazz Interactions Orchestra) 3:09
33. One for Duke (featuring Jazz Interactions Orchestra) 5:26
34. Complex City (featuring Jazz Interactions Orchestra) 8:10
35. Roll 'Em (featuring Shirley Scott) 4:08
36. For Dancers Only (featuring Shirley Scott) 3:43
37. Sophisticated Swing (featuring Shirley Scott) 2:51
38. Sometimes I'm Happy (featuring Shirley Scott) 3:54
39. Lined With a Groove (featuring Ray Brown) 5:31
40. Lazy Theme (featuring Milt Jackson, Ray Brown) 4:51
41. Now Hear My Meaning (featuring Milt Jackson, Ray Brown) 5:14
42. In a Crowd (featuring Milt Jackson, Ray Brown) 6:03
43. Sound Piece for Jazz Orchestra, Pts. 1 & 2 9:44
44. Flute Salad 2:49
45. The Lady from Girl Talk 4:59
46. Let the Word Go Forth 6:16
47. A Genuine Peace 2:37
48. The Rights of All 3:57
49. Tolerance 3:23
50. The Artists' Rightful Place 3:29
51. Jacqueline 2:15
52. Day In Dallas 3:40
53. John Kennedy Memory Waltz 3:22
54. Love Is Just Around the Corner (featuring Pee Wee Russell) 2:50
55. This Is It (featuring Pee Wee Russell) 2:18
56. Memories of You (featuring Pee Wee Russell) 3:12
57. Pee Wee's Blues (featuring Pee Wee Russell) 3:51
58. The Shadow of Your Smile (featuring Pee Wee Russell) 2:28
59. Ja-Da (featuring Pee Wee Russell) 3:46
60. A Good Man Is Hard to Find (featuring Pee Wee Russell) 2:55
61. Bopol (featuring Pee Wee Russell) 2:58
62. I'm Coming Virginia (featuring Pee Wee Russell) 4:19
63. Six and Four (featuring Pee Wee Russell) 3:39
64. Walk On the Wild Side (featuring Jimmy Smith) 5:55
65. Ol' Man River (featuring Jimmy Smith) 3:56
66. In a Mellow Tone (featuring Jimmy Smith) 4:25
67. Step Right Up (featuring Jimmy Smith) 4:13
68. Hobo Flats (featuring Jimmy Smith) 4:46
69. Blueberry Hill (featuring Jimmy Smith) 4:56
70. Walk Right In (featuring Jimmy Smith) 3:31
71. Trouble In Mind (featuring Jimmy Smith) 4:24
72. The Preacher (featuring Jimmy Smith) 6:15
73. Meditation (featuring Jimmy Smith) 3:06
74. I Can't Stop Loving You (featuring Jimmy Smith) 4:29
75. Slaughter On Tenth Avenue (featuring Jimmy Smith) 7:08
76. Who's Afraid of Virginia Wolff?, Pt. 1 (featuring Jimmy Smith) 4:28
77. Who's Afraid of Virginia Wolff?, Pt. 2 (featuring Jimmy Smith) 5:00
78. The Bird / The Duck / The Cat / The Grandfather / The Wolf / The Hunter / Peter (featuring Jimmy Smith) 4:10
79. Duck Theme / Jimmy and the Duck / Peter's Theme / Meal Time (featuring Jimmy Smith) 9:39
80. Elegy for a Duck (featuring Jimmy Smith) 7:17
81. Cat In a Tree (featuring Jimmy Smith) 5:23
82. Capture of the Wolf (featuring Jimmy Smith) 1:16
83. Finale: Parade / Peter Plays Some Blues (featuring Jimmy Smith) 4:48
84. One Mint Julep (featuring Jimmy Smith) 5:29
85. Blues and the Abstract Truth (featuring Jimmy Smith) 5:27
86. Down By the Riverside (featuring Wes Montgomery, Jimmy Smith) 10:01
87. Night Train (featuring Wes Montgomery, Jimmy Smith) 6:48
88. 13 (Death March) (featuring Wes Montgomery, Jimmy Smith) 5:22
89. Milestones (featuring Wes Montgomery, Jimmy Smith) 4:10
90. 'Round Midnight (featuring Wes Montgomery, Jimmy Smith) 7:19

Details

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Oliver Nelson was one of the more distinctive arrangers to be active in jazz, the studios, and popular music of the '60s. While most Nelson reissues focus on his always-excellent saxophone playing (whether on tenor or alto), this six-CD set, Argo, Verve and Impulse Big Band Studio Sessions, focuses on Oliver Nelson the arranger-composer-bandleader. He does take solos on some of these dates on tenor, alto,and soprano (his only recorded solos on that instrument), but it his writing that takes center stage. Included are his albums Full Nelson, Fantabulous, Jazzhattan Suite (which finds the ensemble called the Jazz Interactions Orchestra), Sound Pieces, and his unusual and reverent tribute set Musical Tribute to JFK: The Kennedy Dream. In addition, Nelson's writing for Leonard Feather's Encyclopedia of Jazz All Stars is here, plus his contributions (usually just part of each record) for sets by organist Shirley Scott (Roll 'Em), a group co-led by Ray Brown and Milt Jackson, and clarinetist Pee Wee Russell (The Spirit of '67). Topping off this well-conceived box are all of the music for organist Jimmy Smith's Hobo Flats, Peter and the Wolf (a classic jazz version), and Smith's first collaboration with guitarist Wes Montgomery, plus a few numbers from Smith's Bashin', Who's Afraid of Virginia Woolf, and Hootchie Coochie Man. In addition to the playing of Jimmy Smith (who was really at his peak during this period), Wes Montgomery, Shirley Scott, and Pee Wee Russell, the most memorable soloists are altoist Phil Woods, cornetist Nat Adderley (on the Feather date), and flugelhornist Clark Terry plus Nelson himself. There is plenty of classic material here (such as the Smith/Montgomery blues jamming on "Down by the Riverside") which, even when the big-band writing is secondary, serves as a superior tribute to the underrated Oliver Nelson.