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Optimism

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Download links and information about Optimism by One For All. This album was released in 1998 and it belongs to Jazz genres. It contains 9 tracks with total duration of 01:10:07 minutes.

Artist: One For All
Release date: 1998
Genre: Jazz
Tracks: 9
Duration: 01:10:07
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Tracks

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No. Title Length
1. Optimism (featuring Steve Davis, Eric Alexander, David Hazeltine, Peter Washington, Jim Rotondi, Joe Farnsworth) 8:27
2. Stranger In Moscow (featuring Steve Davis, Eric Alexander, David Hazeltine, Peter Washington, Jim Rotondi, Joe Farnsworth) 7:02
3. Straight Up (featuring Steve Davis, Eric Alexander, David Hazeltine, Peter Washington, Jim Rotondi, Joe Farnsworth) 7:25
4. All for One (featuring Steve Davis, Eric Alexander, David Hazeltine, Peter Washington, Jim Rotondi, Joe Farnsworth) 11:17
5. Pearl's (featuring Steve Davis, Eric Alexander, David Hazeltine, Peter Washington, Jim Rotondi, Joe Farnsworth) 6:10
6. Spring Can Really Hang You Up the Most (featuring Steve Davis, Eric Alexander, David Hazeltine, Peter Washington, Jim Rotondi, Joe Farnsworth) 7:19
7. What Kind of Fool Am I? (featuring Steve Davis, Eric Alexander, David Hazeltine, Peter Washington, Jim Rotondi, Joe Farnsworth) 7:58
8. The Prevaricator (featuring Steve Davis, Eric Alexander, David Hazeltine, Peter Washington, Jim Rotondi, Joe Farnsworth) 8:12
9. These Foolish Things (With James Farnsworth Quintet) 6:17

Details

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This is the second album by One for All, an all-star sextet of young jazz veterans totally steeped in the hard bop tradition and group dynamic of Art Blakey and Horace Silver's classic ensembles. Eric Alexander, the rising tenor sax phenom, trombonist Steve Davis (Jazz Messengers, Jackie McLean, Chick Corea's Origin), and Peter Washington, the talented and ubiquitous bassist, are probably the best known players here. But all the band's members are respected figures on the New York scene with long lists of impressive credits. And these guys really know what they're doing, whether it's reworking standards like "Spring Can Really Hang You Up the Most," "What Kind of Fool Am I?" and "These Foolish Things," or tearing through a number of fine neo-hard-bop originals.