Hold On for Dear Life
Download links and information about Hold On for Dear Life by Onry Ozzborn. This album was released in 2011 and it belongs to Hip Hop/R&B, Rap, Alternative genres. It contains 17 tracks with total duration of 55:52 minutes.
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| Artist: | Onry Ozzborn |
| Release date: | 2011 |
| Genre: | Hip Hop/R&B, Rap, Alternative |
| Tracks: | 17 |
| Duration: | 55:52 |
| Buy it NOW at: | |
| Buy on iTunes $9.99 | |
| Buy on Amazon $8.99 | |
Tracks
[Edit]| No. | Title | Length |
|---|---|---|
| 1. | Michael Admires You (feat. Sapient) | 2:09 |
| 2. | The O.O. | 2:23 |
| 3. | All to Herself (feat. Reva DeVito) | 3:16 |
| 4. | The Getaway Car | 3:31 |
| 5. | The Good (feat. Sapient) | 3:31 |
| 6. | Way Out (feat. Maggie Morrison) | 4:11 |
| 7. | Best of All Time | 3:52 |
| 8. | Electric Dreams (feat. Thaddeus of SOTA & Tilson) | 3:21 |
| 9. | Limbo Thus Purgatory (feat. Xperience) | 3:23 |
| 10. | Daughters | 3:38 |
| 11. | Hold Up | 3:56 |
| 12. | Nightlife (feat. Candidt) | 3:36 |
| 13. | N.W. A List (feat. PeeGee 13, Candidt, & IAME of Sandpeople) | 4:10 |
| 14. | Hold On for Dear Life | 3:55 |
| 15. | Blend In | 2:32 |
| 16. | I Give Up | 4:22 |
| 17. | Fake Four | 0:06 |
Details
[Edit]A fixture in the Seattle underground scene, Onry Ozzborn has been cranking out unusual and decidedly unconventional hip-hop for well over a decade. He's a key member of groups like Greyskul and Dark Star Sunshine, down with the Oldominion crew, and has collaborated with indie-rap royalty like Aesop Rock and Atmosphere. Released on Ceschi's Fake Four label, Hold On For Dear Life sports 16 songs that address real-life issues such as his two children and unwavering dedication to making good music. Guest spots come from Sapient (Sandpeople), PeeGee 13, Candidt, Reva DeVito, and Maggie Morrison, while the imaginative production is provided by Smoke, Bean One, and Zavala. Catchy without being pop, and positive without being corny or conscious, it's just an enjoyable listen that sounds unlike 99.9% of all hip-hop out there today. Standouts include the throwback electro vibe of "Hold Up," the minimalist stomp of "All To Herself," and the ear-tickling, synth-propelled gem "The Good."