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Os Demônios da Garoa É Com Esse Que Eu Vou / Os Demonios da Garoa E Com Esse Que Eu Vou

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Download links and information about Os Demônios da Garoa É Com Esse Que Eu Vou / Os Demonios da Garoa E Com Esse Que Eu Vou by Os Demônios Da Garôa / Os Demonios Da Garoa. This album was released in 1994 and it belongs to Samba, World Music, Latin genres. It contains 12 tracks with total duration of 35:53 minutes.

Artist: Os Demônios Da Garôa / Os Demonios Da Garoa
Release date: 1994
Genre: Samba, World Music, Latin
Tracks: 12
Duration: 35:53
Buy on iTunes $9.99
Buy on Songswave €1.22

Tracks

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No. Title Length
1. Samba do Metrô "Uma Simples Margarida" (featuring Demônios Da Garoa / Demonios Da Garoa) 2:27
2. A Maior Maria (featuring Demônios Da Garoa / Demonios Da Garoa) 2:49
3. Vila Esperança (featuring Demônios Da Garoa / Demonios Da Garoa) 2:59
4. Samba do Crioulo Doido (featuring Demônios Da Garoa / Demonios Da Garoa) 3:43
5. Não Me Diga Adeus (featuring Demônios Da Garoa / Demonios Da Garoa) 2:55
6. Helena, Helena (featuring Demônios Da Garoa / Demonios Da Garoa) 3:01
7. Paz e Amor (featuring Demônios Da Garoa / Demonios Da Garoa) 3:36
8. Preta Pretinha (featuring Demônios Da Garoa / Demonios Da Garoa) 3:31
9. É Com Esse Que Eu Vou (featuring Demônios Da Garoa / Demonios Da Garoa) 2:24
10. Onde Estão os Tamborins "Mangueira" (featuring Demônios Da Garoa / Demonios Da Garoa) 2:44
11. Emília (featuring Demônios Da Garoa / Demonios Da Garoa) 2:40
12. Praça Onze (featuring Demônios Da Garoa / Demonios Da Garoa) 3:04

Details

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Memory of Brazilian music is almost non-existent. There is virtually no interest in the big recording companies in reissuing their old catalogs. So the kind of reissues/compilations such as the ones brought by this Raízes Do Samba series have to be praised, even if the booklet is incredibly poor, bringing no information for the novice whatsoever. The original records from which these tracks were taken, all big hits by the paulista group Demônios Da Garoa (the group's name, Drizzle's Demons, makes reference to that city's permanent weather), are all since long out of print. Comprising the group's recordings from 1955 to 1990, they were carefully remastered and the sound quality is fully acceptable.

The group keeps a regional formation (traditional choro group), with cavaquinho, violão de sete cordas (Brazilian seven-string guitar), percussion, and violão tenor, with an occasional clarinet, being the oldest active group in the world, according to Guinness Book of Records, 1994. They interpret the typical São Paulo samba, with its massive Italian influence in the broken Portuguese lyrics (Adoniran Barbosa, the best proponent of this style, in his "Um Samba No Bexiga," talks about a date set for "mezzanotte o'clock") and its chronicling of the everyday of that city.