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Colección Mi Historia: Paco De Lucía / Coleccion Mi Historia: Paco De Lucia

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Download links and information about Colección Mi Historia: Paco De Lucía / Coleccion Mi Historia: Paco De Lucia by Paco De Lucía / Paco De Lucia. This album was released in 1997 and it belongs to Jazz, World Music, Latin genres. It contains 12 tracks with total duration of 36:49 minutes.

Artist: Paco De Lucía / Paco De Lucia
Release date: 1997
Genre: Jazz, World Music, Latin
Tracks: 12
Duration: 36:49
Buy on iTunes $9.99

Tracks

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No. Title Length
1. Siboney (featuring Ramón Algeciras / Ramon Algeciras) 2:47
2. Fina Estampa (featuring Ramón Algeciras / Ramon Algeciras) 1:47
3. Tomo Y Obligo (featuring Ramón Algeciras / Ramon Algeciras) 2:10
4. Cielito Lindo (featuring Ramón Algeciras / Ramon Algeciras) 2:42
5. Malagueña Salerosa (featuring Ramón Algeciras / Ramon Algeciras) 2:31
6. Manana de Carnaval (featuring Ramón Algeciras / Ramon Algeciras) 2:48
7. Guadalajara (featuring Ramón Algeciras / Ramon Algeciras) 2:37
8. Y Todo a Media Luz (featuring Ramón Algeciras / Ramon Algeciras) 3:02
9. Alma Llanera (featuring Ramón Algeciras / Ramon Algeciras) 2:59
10. Entre Dos Aguas 6:00
11. Alma, Corazón Y Vida (featuring Ramón Algeciras / Ramon Algeciras) 3:07
12. Cancion De Amor 4:19

Details

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This CD collects works from throughout the long career of Paco de Lucía, one of the foremost innovators in the field of flamenco guitar. Despite the complete lack of liner notes, one will note a range of time frames and styles for the recordings here. There is certainly some pure flamenco to be heard, but the focus is always on the addition of other ideas that can be brought to the genre. There are aspects of Mexican forms readily apparent in "Cielito Lindo" and "Guadalajara." A tiny bit of samba seems to creep in during "Mañana de Carnaval," and more classical Spanish music is interspersed throughout all of the works. Instrumentation changes are ever present, leaving de Lucía with nearly no time working completely solo. This isn't necessarily a bad thing, as his innovations with instrumentation and form have led to the current product, but purists might miss some of the more straightforward solo guitar that he excels at equally. Still, his runs are something worth hearing. For the best look at de Lucía's influence, solo albums from across his career should be sampled, as well as something from his time with el Camarón. Give this one a listen for a basic overview, but dig deeper if you actually want to hear why he's a master.