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Panama! 2 - Latin Sounds, Cumbia, Tropical & Calypso Funk On the Isthmus 1967-77

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Download links and information about Panama! 2 - Latin Sounds, Cumbia, Tropical & Calypso Funk On the Isthmus 1967-77. This album was released in 2009 and it belongs to Salsa, Latin genres. It contains 20 tracks with total duration of 01:09:33 minutes.

Release date: 2009
Genre: Salsa, Latin
Tracks: 20
Duration: 01:09:33
Buy on iTunes $10.99

Tracks

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No. Title Length
1. La Murga de Panama (Papa Brandao, Su Conjunto Aires Tablenos) 3:08
2. Tamborino Swing (Los Silvertones) 3:38
3. Flora (Máximo Rodríguez / Maximo Rodriguez, Sus Estrellas Panameñas / Sus Estrellas Panamenas) 3:49
4. Decidete Mi Amor (Sus Ejecutivos, Papa Brandao) 2:58
5. Te Toca Tocar la Tumbar (Skorpió / Skorpio) 4:35
6. Descarga Superior (Los Superiores) 3:59
7. No Llores Porque Me Voy (Idamerica Ruiz, Osvaldo Ayala) 2:58
8. Mi Bella Panama (Los Revolucionarios) 3:01
9. Dreams (Edit) (Duncan Brothers) 4:43
10. Ain't No Sunshine (The Soul Fantastics) 3:13
11. Ese Muerto No Lo Cargo Yo (The Exciters) 3:23
12. La Confianza (Los Magníficos / Los Magnificos, Meñique El Panameño / Menique El Panameno, Bush) 3:03
13. Borombon (Camilo Azuquita) 2:51
14. Jazzy (Los Papacitos) 3:00
15. La Escoba (Alfredo, Su Salsa Montañera / Su Salsa Montanera) 3:18
16. Juck Juck, Pt. 1 (Sir Jablonsky) 4:01
17. Love Letters (Lord Cobra Y Los Hnos. Duncan, Lord Cobra) 4:28
18. Ceferino en Salsa (Ceferino Nieto) 2:48
19. Si La Vez (Ormelis Cortez) 3:26
20. Piculina (Chilo Pitty) 3:13

Details

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Panama! 2 represents a deep and rewarding exploration of the many strains of Panamanian popular music that flourished in bustling ports like Balboa, Cristobal, and Panama City during the ‘60s and ‘70s. Immigrants from all points throughout the West Indies and Central America congregated in Panamanian cities and brought with them elements of their distinct musical cultures. Records released on small Panamanian labels like Tamayo, Padisco, Tabago, and Sally Ruth blended elements of Colombian cumbias and guacharacas, Cuban sons, Trinidadian calypsos, and American funk and soul. The pell-mell fusion of these diverse styles resulted in some truly exciting musical hybrids, like Papi Brandao’s “La Murga De Panama," which renders the anthemic horn charts of Willie Colon’s “La Murga” with a wheezing accordion line reminiscent of Central American folk traditions. Crate-diggers will likely be most attracted to Panama! 2 due to the number of Latin-inflected covers of American funk and soul standards, like The Soul Fantastics’ neck-snapping rendition of Bill Withers’ “Ain’t No Sunshine." But nearly every selection here is worthy of attention.