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Transcend

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Download links and information about Transcend by Paoli Mejias. This album was released in 2006 and it belongs to Jazz genres. It contains 9 tracks with total duration of 57:24 minutes.

Artist: Paoli Mejias
Release date: 2006
Genre: Jazz
Tracks: 9
Duration: 57:24
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Tracks

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No. Title Length
1. Encomienda 7:07
2. Pasaporte 6:59
3. Conflict of Interests 6:11
4. Egbin'pa mi 6:50
5. Bailamo' a 7 Mama? 5:50
6. Eschu l'ona 7:42
7. Transcend 8:00
8. El leon 4:04
9. Oye Como Suena 4:41

Details

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For his second CD as a leader, Puerto Rican conga player Paoli Mejias has decided to take a big step forward with his music, further incorporating the hottest jazz players in New York and firmly welding them to his steaming brand of Afro-Latin percussion sounds that drive this band into a frequent frenzy. Doubled-up alto saxophonists Jaleel Shaw and Miguel Zenón create a fire all their own within similar harmonic timbres, while the bulletproof rhythm section of the outstanding pianist Luis Perdomo, bassist Hans Glawischnig, and drummer Antonio Sanchéz are perfectly suited to thrust this music to a dizzying, infectious energy level. Mejias is quite talented as a hand percussionist, but it is his choice of musicians and material written by select composers that firmly display his strength and sense of purpose as a bandleader. The music really leaps out of the speakers and commands attention, right from the start on the opener "Encomienda" written by Zenón. It's hard to believe any tune could be more full of life, spirit, and fire. Coming close is the big-band expanded descarga "El Leon," a traditional son montuno bursting with flavor and spice, enhanced by a large vocal coro, lots of extra percussion, and a happy sound. Ricardo Pons arranged several of these tracks, and composed "Eshu L'ona," a hip, complex 6/8 chart that is played to strict tolerances. He also did the most Latin-jazz — emphasis on jazz — number "Oye Como Suena," which recalls the great original bandleaders in this style such as Arsenio Rodríguez, Tito Puente, and Eddie Palmieri. The most modern jazz track "Conflict of Interests" is a feature for its composer, Shaw, a rising star to watch, while a deliberate, hot 3/4 during "Egbin'Pa Mi" sets the band ablaze with Perdomo laying out a minimalist but not montuno line, lighting the fuse for the percussionists and Zenón's jovial soprano sax. A joyous, sturdy, and in many ways brilliant effort, this is the coming out party for Mejias as a player and bandleader He's happily following in the footsteps and carrying the torch of those such as Mongo Santamaria, Ray Barretto, and Miguel "Anga" Diaz, who have passed on. Bravo Paoli! ~ Michael G. Nastos, Rovi